Energetic priest Don Camillo returns to the town of Brescello for more political and personal duels with Communist mayor Peppone.

In the 30s, a small village in the Provence is losing its inhabitants because young people prefer to go to the city to find easy jobs and escape from being farmers living in relative poverty. Only a few old people and the poacher Panturle remain. Panturle dreams of bringing the village back to life, finding a wife, founding a family and work as a farmer. One day, the village is visited by a traveling knife-grinder, Urbain Gedemus and a young woman, Arsule. Gedemus treats Arsule like a slave, but Arsule accept this because she has nowhere to go and -we guess- her 'work' with Gedemus is the last thing that saves her from being a prostitute. When she meets Panturle and knows about his dreams, she escapes from Gedemus and decides to stay with him. Together, they start a new life, made of hard farming work but mostly of happiness to have each other, fulfilling the earlier dreams of Panturle. Can anything break the happiness of their new life?

Angèle is a 1934 French drama film directed, produced and written by Marcel Pagnol. It stars Orane Demazis as a naive young woman who is seduced and abandoned. It is based on the novel Un de Baumugnes by Jean Giono.

Down a foggy, desolate road to the port city of Le Havre travels Jean, an army deserter looking for another chance to make good on life. Fate, however, has a different plan for him, as acts of both revenge and kindness render him front-page news.

Auguste, a somewhat simple-minded Provençal fisherman, loves and admires Mireille. This concerns only Maurice, son of an important wholesaler, whom scruples do not stifle. Seduced and abandoned, Mireille moves Auguste who tries to mend his poor happiness. The local priest, with wise words, leads Mireille to offer her hand to Auguste.

Fadinard is going through the woods on his horse en route to his wedding. Unfortunately, his horse eats the straw hat of a married woman who is having a secret rendezvous with her lover. In order to save the woman's honor, Fadinard must find the exact same type of hat to replace the one his horse ate and still be able to get to his wedding on time.

In the 1920s, the Provence is a magnet for immigrants seeking work in the quarries or in the agriculture. Many mingle with locals and settle down for good — like Toni, an Italian who has moved in with Marie, a Frenchwoman. Even a well-ordered existence is not immune from boredom, friendship, romance, or enmity, and Toni becomes entangled in a web of increasingly passionate relationships. For there is his best pal Fernand, but also Albert, his overbearing foreman; there is Sebastian, a steady Spanish peasant, but also Gabi, his young rogue relative; there is Marie, but there is also Josefa.

1871. Roger Laroque accuses himself of a crime he did not commit to save his mistress, Julia de Noirville, from dishonor. He escapes from prison and is considered dead for fourteen years. Then he returns in the guise of a rich American in order to unmask the real murderer.

Célestin, the organist of a convent, has written and composed a light operetta under the name of Floridor. One day, the Mother Superior asks him to chaperone one of the boarders, Denise de Flavigny, who is returning home to get married. Now, Denise, for all her goody goody looks, soon proves as saucy as can be. Things get even more complicated when Célestin starts courting Corinne, the star of his operetta, to the great displeasure of a commander of dragons, the young woman's lover. Worse, the latter is none other than the Mother Superior's brother... To say nothing of Lieutenant Fernand de Champlatreux, who happens to fall in love with Denise, his fiancée that he has never seen before...!