Caroline Spankhurst and her suffragette brigade conclude to stop at nothing, so in their dauntless enthusiasm they forget their babies peacefully reposing on the sidewalk. The babies fall into the hands of the traffic squad, ordered to keep clear streets. A small-sized riot is taking place, but every mother's a suffragette so why cry "Help?"

A young Catholic priest from Boston confronts bigotry, Nazism, and his own personal conflicts as he rises to the office of cardinal.

Called "the first lady of the silent screen," Lillian Gish was the archetypal silent film heroine — the delicate damsel in distress, stranded on a swift-moving ice floe, cowering before a sadistic brute. The film showcases generous footage of her most memorable performances. In this Emmy-award winning documentary, the celebrated actress reflects on her life and work spanning the 20th century, particularly her years as D.W. Griffith's favorite leading lady and collaborator.

France, on the eve of the French Revolution. Henriette and Louise have been raised together as sisters. When the plague that takes their parents' lives causes Louise's blindness, they decide to travel to Paris in search of a cure, but they separate when a lustful aristocrat crosses their path.

Country girl Jolanda has lost her boyfriend, Nathaniel Huggins, to a "flapper" from the city. Jolanda blackmails Nathaniel's father into giving his permission for he and Jolanda to be married--but circumstances arise that may make Jolanda rethink her position.

A young woman is so superstitious that she cannot make a move or a decision without the approval of the cards or the stars. Pursued romantically by two men, one virtuous, the other villainous, the cards point her toward the villain. Which will she follow, her cards or her heart?

In Renaissance Florence, a Florentine trader meets a shipwrecked stranger, who introduces himself as Tito Melema, a young Italianate-Greek scholar. Tito becomes acquainted with several other Florentines, including Nello the barber and a young girl named Tessa. He is also introduced to a blind scholar named Bardo de' Bardi, and his daughter Romola. As Tito becomes settled in Florence, assisting Bardo with classical studies, he falls in love with Romola.

Calumny is one of the most despicable crimes against our neighbor, and while the wife in this story acted conventionally, she nevertheless maligned the other woman simply because of her profession, an actress. While out on a shopping tour, the wife and her husband enter a store, leaving their little child in the auto in the care of the chauffeur. This gentleman pays but scant attention to the child, so the little one wanders off and strolls into the stage door of a theater during the matinee. The parents upon their return to the auto discover the child's absence and trace him to the theater stage, where they find him in the arms of one of the show girls. The mother matches the child from the girl's arms, scornfully exclaiming, "How dare you contaminate my child with your touch?" For this remark, together with the derisive laughter it occasions, the girl vows to be avenged.

Knocked down by an automobile, the intoxicated tramp is taken to the doctor's house, received and treated to a square meal. The husband of a patient has just died, calls on the doctor, intending to kill him. The grief-crazed man is foiled several times by the return of the tramp, whom the maid at last pushes out of the house. She hears the doctor struggling with his assailant and faints. The tramp hears the doctor's cry for help and enters by a rear window, despite the objections of a policeman, in time to save his benefactor.

A stage dancer (Sweet) and a serious-type homebody (Walthall) discover, after marriage, that their individual styles don't mesh. The movie includes elaborate dance sequences.