Second part of Goethe's Tragedy

Together with the ensemble of the Vienna Burgtheater, led by Kirsten Dene and Gusti Wolf, Franz Wittenbrink accounts in a wonderfully funny way with art and commerce in times of Mozart mania.

This film is about the difference between law and justice. A national socialist is accused of having stirred up some people against foreigners. A judge has to decide whether he has done so or if his statement comes under the constitutional given freedom of speech. This is compared with a trial in the third Reich. A young woman is being accused of having a relationship with a jew. The film confronts two views of law: the judgement is only based on the current law or the judgement may be influenced by socio-political events and sense of justice.

In a small town in southern Germany, Rick, Lutz and Georg try to live out their frustrations in extended drinking bouts. In the "Paloma" pub, they look for confirmation in sexual adventures. They rape several girls, and none of the victims have the courage to talk, because everyone in the small town knows each other. Then one day, the body of a strange 20-year-old girl is found behind the rest area not far from the town, abused and strangled. She was hitchhiking to Landshut. The police initially investigate without success. No one claims to have seen anything and the case is finally filed away as unsolved. Only years later does Andi, one of the suspects, begin to talk, apparently driven by his conscience. He claims to have been there when Lutz, Georg and the landlord of their local pub committed the crime. The wall of silence threatens to topple...

71 scenes revolving around multiple Viennese residents who are by chance involved with a senseless gun slaughter on Christmas Eve.