The aimless life of an alienated petty thief takes an unexpected turn for the worse when he steals a bicycle from an enigmatic girl who spends her nights fighting crime.

Maja and Žiga are a couple appearing in a television show.

Relations between the students and the new teacher of German are extremely tense. When one female student commits suicide, her schoolmates blame the teacher for her death. An awareness that things are not quite so black and white comes too late.

A trip into grandma's intimate life shows the status of Slovenian women in the first half of the 20th century.

Documentary film explores the role of women in the Slovenian film and is also looking for reflections in the film classics of the constant changing position of women in the society. Documentary also refers to popular and lesser-known women's roles in the history of Slovenian film, heroines in the literal sense, typical roles in many partisan films, as well as the established cliches: a suffering mother, adulteress, gossip. Through interviews with the actresses, theorists and artists as well as analyzing the most common phrases expressed by women in the Slovenian films, the film tries to reveal the true Slovenian film heroine.

Sarajevo Songs of Woe is a filmic triptych containing of the two tales (“Blue Ballad for Lovers” / “Blue Rondo for Survivors”) and the connecting middle part “Blue Psalm for Wolves” flowing into each other and so being united and building up one universal mosaic of life situated in Sarajevo.

Codelli is a feature-length docudrama about a little-known film project by Slovenian inventor Baron Anton Codelli. Together with filmmaker and adventurer Hans Schomburgk he filmed in Togo in 1914 the first live-action film in Africa, which possibly inspired James Rice Burroughs for his novel on Tarzan. In the company of three Codelli’s descendants and actor Primož Bezjak, we traced the fate of Codelli’s film, brought the remains from Togo and Berlin to Ljubljana and used the Green Screen technology to bring to life 15 live-action scenes based on 600 Codelli’s museum photographs.

Seventeen-year-old Iva is in the process of coming to terms with the death of her mother. Influenced by this deep personal loss and by the discovery that she didn't know everything about her mother, she slowly immerses herself into a strange, almost dreamlike world far from reality...

After giving birth in a hospital, Ana enters a bureaucratic labyrinth whose proportions and consequences she cannot even imagine.

A possessive mother, a loving son, the fiancée's first visit, a mute witness... Four players around a pie.