A documentary incorporating footage of Montgomery Clift’s most memorable films; interviews with family and friends, and rare archival material stretching back to his childhood. What develops is the story of an intense young boy who yearned for stardom, achieved notable success in such classic films as From Here to Eternity and I Confess, only to be ruined by alcohol addiction and his inability to face his own fears and homosexual desires. Montgomery Clift, as this film portrays him, may not have been a happy man but he never compromised his acting talents for Hollywood.

An extensive interview with legendary director Andrei Tarkovsky conducted by Donatello Baglivo.

Contains interview footage with Tarkovsky as he discusses each of his seven major films. He also talks about his world-view and his philosophy of filmmaking. The film also includes footage of a Tarkovsky lecture to young film students in which he expresses his thoughts on modern cinema. Tarkovsky’s widow Larissa is also interviewed. Contains no original Tarkovsky footage/interviews.

Between August 23 and 31, 1983, at the "Circo Massimo", in Rome, there was a musical event that brought together artists from Bahia. This film brings a recording of the event, also featuring backstage, rehearsals, testimonies and some relaxing moments of these great names in Bahia's music.

A poetic and intimate scene-by-scene look into the filming of Tarkovsky's 'Nostalghia'.

Police are in hot pursuit of a criminal who is evading capture on a speeding motorbike. He takes refuge in an overgrown castle’s grounds and sees a pale woman burying a corpse in a shallow grave. Thirteen years later, after being recaptured and serving his sentence, the man returns to the castle, intent on blackmail — and maybe a few other things.

A poetic and intimate scene-by-scene look into the filming of Tarkovsky's 'Nostalghia'.

A poetic and intimate scene-by-scene look into the filming of Tarkovsky's 'Nostalghia'.

Great encounter in Rome with filmmaker Andrei Tarkovsky where he develops some of his major ideas on artistic creation and in particular the importance of the temporal dimension in his conception of cinema. Tarkovsky also comments on excerpts from film directors that inspired him like Kurosawa, Buñuel and Antonioni. The "prologue" at the beginning is a quote from Tarkovsky's film Andrei Rublev.