Acting
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Trucker Tom has problems. When he’s not on the road with his pal Jack, he’s at home with his perpetually horny reporter wife, Sue, who berates him for his lackluster sexual performance. What Sue doesn’t know if that Tom’s aggression is saved up for the road, where his alter ego “Big Bear” rules...
Billie is an advertising executive with a secret past she can’t seem to leave behind. Joan is a hopeful young actress looking for the right part and the right guy. Sherry is a model whose whirlwind lifestyle is catching up with her.
John Holmes is dictating his memoirs on the terrace of a penthouse in New York City. He has just left sunny California and all the wild orgies. He is desperately searching for the one woman who can deep throat his massive manhood. He's looking for...The New York City Woman.
Faced with patients who die before they pay their bills, the staff at Carcinoma Hospital has hit on a novel way to keep the patients alive - dispensing hourly boffings so they'll have a reason to fend off the Grim Reaper. Naturally the nubile young nursing corps plays a big part in the plan, and the gorgeous Marlene Willoughby leads the white-clad sexual shock troops into carnal combat. And then there's the incompetent Dr. Mort, played by adult cinema legend big John Holmes. He brings his formidable uh, medical knowledge to keep a string of appreciative female patients in the land of the living.
Three unrelated stories. The first is about a dissatisfied, hurtful couple clinging together to spite each other rather than take the risk of finding a relationship. The second story consists of a series of female clients at a psychologist's office that each tell their bitter and sad stories of how they developed their attitudes towards men or sex in general. The final story is a day in the life of a model that can't seem to get past posing for the men's magazine circuit, the daily abuse she deals with, her feelings of enslavement, and the impact upon her sanity.
Sometimes a Taste of Infidelity Can Save a Relationship
A tennis instructor leads a wealthy but neglected housewife into the world of prostitution.
Toni is a smart drug smuggler, living in a luxuriously home by the beach. The pot (ganja) producers pack it in crates, take it from Jamaica to a precise point of New England waters, and dump it in the sea. With no apparent connection with them, a couple of scuba-divers later retrieve the crates to their own boat, then take it in an old low-flying biplane to the continent. And then a third party will distribute to the consumers. The Narcotics Bureau has its informers, of course, but it seems the monthly Ganja Express can't be stopped. Eventually it will come ashore, in a mix of sex and violence, during an orgy at Toni's place.
Filmed on location at New Yorks legendary underground clubs such as Max's Kansas City and featuring original music and appearances from bands THE STILLETTOS, THE SQUIRRELS, SPICY BITS and THE FAST! On the track of a teenage runaway, a trail of murder, sex, and drugs leads private eye Jimmy into the decadent New York City night world: from massage parlors to penthouses and after-hours nightclubs; from sex slavers and pimps to the dangerous members of a killer rock'n'roll band!
Two old west bank robbers take refuge on a rural farm that's been threatened with foreclosure, as they try to escape the law. Instead they find themselves caught up in a web of non-stop lust with the local girls, until a genius plan is hatched: to open a brothel!
American troops storm ashore on a Japanese-held island and push inland while their enemies plan a counterattack in this look at warfare. Soldiers on both sides are haunted by memories of home and the horrifying, sickening images they find in combat.
The life of man is poor and nasty. A few plants give temporary relief: marijuana, alcohol, and opium. After a history of opium, including the 19th-century Opium Wars, we learn of the discovery of heroin; the rest of the film examines heroin trade and addiction in the U.S. Two tons a year enter the U.S., with only 100 pounds interdicted. Most is used in New York City. Interviews with customs officials, prosecutors, medical doctors and junkies provide points of view. The harsh 1956 law and the medically-oriented law of 1966 are contrasted, with the film on the side of treatment and rehabilitation. It ends with advocating reducing use here and finding other cash crops for farmers abroad.
Robert Mitchum narrates an anti drug propaganda film.