The plot is set in a post apocalyptic Junkyard where people take refuge from authority and are able to practice their fantasies and fetishes without being stopped by the police. These people are led by Emanou who is a sort of Messiah, who promises music rather than salvation.

Annie is a middle-age wife, still sexy and pampered by her husband, Phillippe, who is the owner and general manager of a dynamic company. Under the deluge of sexy Swedish movies, sexy advertising on the streets, sexy intimate clothing in ladies' shops, and even talks about sex and marital infidelity with her mother and female friends, Annie starts feeling left aside by her husband, and trying to attract in a number of ways - and failing. It's not the all-purpose secretary at the office that is keeping him late, it's a tax expert that, asking the most innocent questions, is finding out how Philippe can manage a company without profits, and still manage a home, may be two... with high quality levels.

A tale of the tender relationship between a twelve-year-old boy and the fourteen-year-old upperclassman who is the object of his desire, all set within the rigid atmosphere of a Jesuit-run school.

In the 17th century, under Louis XIII, the policy of Cardinal de Richelieu aimed at the definitive establishment of a monarchic power, and gave rise to a struggle against the great feudal lords, who favored a weak central power. Numerous conspiracies against the Cardinal were led by the high nobility. The one led by Henri Coiffier de Ruzé d'Effiat, marquis de Cinq-Mars, was the last and most famous of them.

Two children run away from a Swiss boarding school and set out for Paris, with their frantic parents in hot pursuit.

Anita is a barmaid at the center of a community of street preachers, prostitutes, dealers and users. When a beloved friend (and young drug dealer) is caught by narcotics agents, Anita takes it upon herself to score for his struggling clients.

In this "inside look" at French filmmaking, Marechal - who is a has-been director - a producer, Vito Catene and Camile Dor, a big-name actress, have agreed to make a film about drugs, but don't have a story, financing, or any of the other elements needed to make it. This doesn't stop them; they cobble together the financing and begin shooting anyway. The producer is very fond of the leading actress, and when she gets hooked on drugs for real in the course of shooting what he feels to be a farcical imitation of a film, he gives up his shares in the film and heads off for the back of beyond (Zanzibar) to lick his wounds. To add insult to injury, the film winds up being a critical and commercial success.

The story of a notorious French criminal gang of the 1910s.

When a man's best friend is shot in cold blood by two corrupt policemen, he must track down the only eyewitnesses, who have deported to Mali.

Naturally optimistic and mischievous, Jérôme Aubin crossed the time of his adolescence, around 1945, with ease and good humor. The years passed. He married the pretty Françoise, a little neighbor he had known since the age of eight, and soon found himself a secondary school teacher, a little anxious at the thought of facing for the first time students he had been told were particularly turbulent. How will he master this new difficulty? Better than you'd think, thanks to a delicious optimism: boldly going against the grain of conventional methods, he surprises his young audience, thwarting the plans of the dissipated gossips and turning their most tendentious attitudes to his advantage. All this provokes astonishment and concern among the college's leaders. But Jérôme Aubin is no pushover, and even the dreaded general supervisor finds himself obliged to give in to his most audacious initiatives...