Agnès Varda eloquently captures Paris in the sixties with this real-time portrait of a singer set adrift in the city as she awaits test results of a biopsy. A chronicle of the minutes of one woman’s life, Cléo from 5 to 7 is a spirited mix of vivid vérité and melodrama, featuring a score by Michel Legrand and cameos by Jean-Luc Godard and Anna Karina.

An art dealer wants to buy a Modigliani, which is tattooed on the back of an old soldier.

Victor is a screenwriter whose last work about the Marechal Pétain is refused by his producer. To add insult to injury, he tells Victor he is paunchy. The unfortunate man becomes obsessed by his weight. He goes out of his way to lose pounds, abetted by his wife, Corinne, who puts him on a reducing diet. He must also go to a health center where he takes exercise. Nothing really works. And one day, in a brewery, he cannot withstand his diet anymore and he has a gastronomic meal. Desperate, he tries his luck at a weight watchers reunion.

An aging gangster, Fernand Naudin is hoping for a quiet retirement when he suddenly inherits a fortune from an old friend, a former gangster supremo known as the Mexican. If he is ambivalent about his new found wealth, Fernand is positively nonplussed to discover that he has also inherited his benefactor’s daughter, Patricia. Unfortunately, not only does Fernand have to put up with the thoroughly modern Patricia and her nauseating boyfriend, but he also had to contend with the Mexican’s trigger-happy former employees, who are determined to make a claim.

Charles-Edmond, the eldest of the Larmentiel brothers, decides to return to La Rochelle, his hometown to die there. Forty years earlier he had been driven out by his father. Before passing away, the old eccentric announces that he has a hidden son, Émile, a fisherman to whom he wishes to bequeath his property. François, the younger brother, whom Charles-Edmond hates, is eyeing the inheritance to bail out the powerful family business, a veritable fishing trust, and will try to appropriate the affection and property of this inopportune heir. Émile, meanwhile, is too busy arguing with Fernande, a beugland singer, to suspect what awaits him...

In 1945, as World War Two comes to a close, five small time crooks unite to form a gang. After several bold robberies they become notorious as "the front-wheel drive gang". The police attempt to stop their crime spree with little success, but how long will their luck last?

Edwige Feuillère and Pierre Richard-Willm star in director Jacques de Baroncelli's adaptation of the Balzac novella The Duchesse de Langeais, which tells the tale of a Parisian socialite who is romantically pursued by a Napoleonic war hero. With a screenplay by Jean Giraudoux.

In a building close to the Place de la Contrescarpe in Paris, a tale of criss‑crossings in turn romantic, gourmet, interested or mystical, between an Italian gigolo and a nightclub hostess, a family of butchers and an apprentice rocker, a mystic tailor, a writer sending himself telegrams, an alert paralytic woman, a thoughtful concierge, a bird breeder and a just‑out‑of‑jail hooligan. Little by little each one discovers each other’s more or less troubled history… when a mysterious death introduces the Police within this huis clos, hastens disclosure of well‑kept secrets and ruffle this little World.

April fools in a studio where a radio host pretends to shoot dead all the performers....till a true crime occurs.

One of Alexandre Dumas's most popular adventure novels is "The Count of Monte-Cristo". What is little known is that the famous writer made up neither its plot nor its characters. Dumas actually heard the true story of a man named François Picault during a stay at a private mansion and only adapted it into the novel everybody knows . Picault (who in the book would become Edmond Dantès) was about to marry the beautiful Marguerite (Mercédès in the novel) when he was denounced by three jealous friends who falsely accused him of being a spy for England. Picault was placed under a form of house arrest. In his prison, he made friends with an Italian abbot. When the man died, he left his fortune to Picault whom he had begun to treat as a son. On his release, Picault, who had become wealthy, was able to pursue his ruthless revenge on the three men who were responsible for his misfortune.