Single mother Nadia is surviving on welfare while transport strikes are paralyzing France in December 1995. While watching the news, she recognizes the father of her child among the strikers and decides to go and search for him. But she has nowhere to go. The film, shot almost entirely at night, carries documentary qualities, part of which is due to the appearances of actual railroad workers in several group scenes.

Algiers. From the port to the souks, passing through the Jardin d'Essai, Dominique Cabrera transports us to the land where she was born, on the other side of the Mediterranean "where the sea is saltier". If most of the pieds-noirs left Algeria in the summer of 1962, some -a minority- remained. By going to meet them, the director makes her own inner journey.

Algiers. From the port to the souks, passing through the Jardin d'Essai, Dominique Cabrera transports us to the land where she was born, on the other side of the Mediterranean "where the sea is saltier". If most of the pieds-noirs left Algeria in the summer of 1962, some -a minority- remained. By going to meet them, the director makes her own inner journey.

In the blocs of low-cost housing in Colombes, the tenants’ association takes part in renovating the buildings.

A woman, scared by motherhood and her new born baby, runs away from her home and family to find a shelter at her upstairs neighbour's place.

Set in the summer of 1942 during WWII, the film traces the trajectory of simple people thrown into extraordinary lives, revealing the heart-warming flame of hope and humanity that endures, even in times of war and dispair. As young Julien, his family and a group of friends traverse the French countryside after fleeing the institution they called home, Julien must deal with his father's extreme violence and his mother's rosy fantasies and once again form a family that society tries to forget.

This film deals with the aftermath of the Algerian war of liberation. Georges Montero, an Algerian-born Frenchman, manages an olive canning factory in Oran. He travels to Paris for a cataract operation. Marinette, his sister, and Belka, his friend and a recent immigrant, want him to return to France permanently. Friction develops between the two friends as Georges is pressured to sell his factory. Friendship developed between Georges and his surgeon, who as a French Arab has severed ties with his culture and country of origin.

In 2002, on the occasion of her brother’s wedding, Dominique Cabrera begun to shoot the gathering, and decided to continue over 10 years, time imprinting its marks on her family and "becoming the film" as she expresses it. Halfway between Agnès Varda and Alain Cavalier, Dominique Cabrera delivers a sensitive film both intimate and universal: "Ten years ago, my brother Bernard got married for the second time. We all went to the wedding in Boston, where he lives. It felt as if we were four little children again with our mom and dad. I had brought along a small camera, which I began to use to film our family. I've continued to this day..."

In 2002, on the occasion of her brother’s wedding, Dominique Cabrera begun to shoot the gathering, and decided to continue over 10 years, time imprinting its marks on her family and "becoming the film" as she expresses it. Halfway between Agnès Varda and Alain Cavalier, Dominique Cabrera delivers a sensitive film both intimate and universal: "Ten years ago, my brother Bernard got married for the second time. We all went to the wedding in Boston, where he lives. It felt as if we were four little children again with our mom and dad. I had brought along a small camera, which I began to use to film our family. I've continued to this day..."

With the President of the Republic very ill, an advisor offers an unusual suggestion: hire a double to replace him during his convalescence. The lucky chosen one is a member of the Comédie-Française but he is also shy, unexciting and often consigned to the supporting role...But a seismic change is about to happen in the Republic.