Romeo and Juliet on the Kiez with Cupid in the form of the attractive sex worker Elisa: the young artist Nikolaus falls in love with the well-behaved law student Sandy. He ends up in prison for an extraordinary declaration of love.

Frank and his S&M partner are surprised by Frank's harridan mother when she walks in on the pair in an amorous clinch. Frank's mother threatens to disinherit her son if he does not settle down and get married. Frank hires the actress Klara to pose as his wife, and the pair moves into a quaint country house. Soon the newly weirds are both after their handsome neighbour Eugen. Frank becomes confused when he feels he may be falling for his first female.

The musician Udo Lindenberg (played by himself) is kidnapped during the party after a concert. Nobody realises this until the next day, when he doesn't show up in time for a rehearsal. Since the police believes this is only a promotion gag, private eye Kuhlmann (also played by Udo Lindenberg) has to be hired to find him in time.

Everything you want to know about the secret erotic desires of Germans can be experienced here in documentary images and hard-hitting interviews that leave nothing to be desired in terms of unsparing openness. The film should serve as a warning to parents and a deterrent to daughters, because once registered means a lifetime burned market! And you can buy a lot from the earnings - but no happiness!

Ottone and Savio work hard to keep each other out of trouble with the Roman Centurions while scraping together food and drink with various scams. Emperor Nero's wife, the beautiful Poppea, takes an interest in Ottone, who after a short stint as a gladiator gets a region to manage and an army of his own to command, all the while assisted by his best friend and partner in crime Savio.

In the 1960s, the film production company Lisa Film, headed by Karl Spiehs, ushered in a new era in German film: the erotic film. This period, characterized by change and openness, produced numerous successful films that had a lasting impact on the genre in Germany and captivated audiences.

Achim Bornhak's movie focuses on the restless life of Uschi Obermaier, the icon of the 1968 movement in Germany and groupie. At the age of 16, Uschi is bored by her job in a photo lab, but soon becomes the "it girl" of Munich's club scene. When she gets to know Rainer Langhans, they move to Berlin and live in "Kommune 1", the first politically-motivated commune in Germany. While the other occupants claim she isn't political enough, Uschi just wants to have fun, works as fashion model and leads international music stars in temptation.

Skoda is the son of a wealthy, overbearing banker and rather than put up with his father to keep a privileged lifestyle, he has chosen to ditch the relationship and drive a taxi for a living. The film follows Skoda on his nightly rides through the city, and though different characters come and go, Skoda meets a kindred spirit in the form of a teenage woman who finds her own home life equally difficult to shoulder. The two young people are gradually attracted to each other, and they end up one night in Skoda's room together. At that moment, the older woman that Skoda had been involved with opens the door and discovers his infidelity. Skoda is living in her house and driving the taxi she gave him -- her commitment was abundantly clear from the beginning. Pushed over the edge, the older woman commits suicide -- and Skoda is blamed for her death by her ex-husband. He swears to avenge her, and the hunt for Skoda begins.

A docudrama about the eventful life of Domenica Niehoff, a high-class prostitute from Hamburg who later became a social worker: Domenica’s mother leaves Italy and her abusive husband, makes her way to Germany with her two children, but ends up in prison, and Domenica and her brother are placed in an orphanage, where they are raised by nuns. At 17, Domenica meets the older, equally violent brothel owner Joseph Rothenberg, who for ten years...