Determined not to simply get married, start a family, and grow old like the rest of the girls in her town, an aspiring Cuban diva sets out to launch a career as a singer.

Juan Encarnación is a reserved jibaro with a violent past. When Pura, the woman he loves, disappears, Encarnación sets out on a path of revenge armed with his machete and his daughter, Patria, in his arms.

El cimarrón is a love story about a young African couple, Marcos and Carolina, that takes place in the slavery era at the turn of the nineteen-century in a Caribbean island. After several futile escape plans, Marcos finally escaped. Now free, he returns to liberate his beloved Carolina.

Music and dance nurture the story of a group of people who live in a popular neighborhood. The invasion of North American soldiers to Panama will break the tranquility of the place bringing a wave of violence with them.

Based on the life of actress Rosaura Andreu.

A Puerto Rican salon employee is forced to confront her own erotic desires when she becomes obsessed with the violent sexual tendencies of her new neighbors.

A three-part look at the ironies of love, with stories that involve a young boy, a hostage situation, and a divorced elderly couple caught in a love triangle.

Adaptation from Enrique A. Laguerre's novel "La llamarada". It depicts the struggles of Puerto Rican peons in the sugar cane fields during the 1930's.

A man is convinced his pregnant wife is a witch and that she is carrying an abomination in her womb.

Determined to restore her dying father's reputation, Ana travels to the remote town of Rosales. Decades ago, he settled there and opened his first free clinic for cancer research. He launched an illustrious medical career - and fell in love. Ana plans to celebrate her father's scientific and humanitarian achievements by transforming the old family mansion into a world-class museum. She will preserve his legacy, and also breathe new life into the forgotten Rosales. But the townspeople-now destitute and helpless-do not greet her warmly. Neither does the house.