
Acting
Some actresses have entered films via the stage while others walked the path of a successful modelling career. Dolores Dorn managed to straddle both, by being a graduate of Chicago's Goodman Art Theatre as well as having been a former place-getter (second and third, respectively, in 1950 and 1951) at the annual Miss Chicago contest. A blonde beauty with a sunny smile, she was also voted 'Miss Photoflash' of 1951 by the Chicago Press Photographers Association. She was born Dolores Heft in 1933 (some sources mistakenly cite 1934) in Chicago, of mostly Lithuanian descent, the only child of a well-to-do automobile dealer, Edward Heft, and his wife, Alice. She first headlined before the footlights at the Chez Paris nightclub. In 1954, she joined the Schaffner Players repertory comedy troupe as "lead ingénue" on tour through Illinois, Missouri, and Iowa. At some point she was spotted by a Warner Brothers talent scout while sipping soda at a drug store. This led to her first (minor) film role in Phantom of the Rue Morgue (1954) as one of the beast's murder victims, to be followed by a second-billed part in the Randolph Scott western The Bounty Hunter (1954). Dolores Dorn made her New York stage debut in 1956 in Chekhov's 'Uncle Vanya' at the Fourth Street Theatre. A year later she also played the part of Yelena Andreyevna in the subsequent film version (opposite future husband Franchot Tone who was 29 years her senior). Having attracted the attention of studio execs with an off-Broadway performance in 'Between two Thieves', she was signed by director Samuel Fuller to a Columbia contract. Her first notable starring role for the studio was in Underworld U.S.A. (1961), for which she was cast as gangster's moll "Cuddles", romantic interest to Cliff Robertson's revenge-seeking ex-convict. She was billed, unlike on Broadway, as simply Dolores Dorn. Her last noteworthy fling at the big screen was in 13 West Street (1962), a fashionable melodrama about teenage delinquency in which she co-starred with Alan Ladd. During the late 1960s, Dorn focused on stage endeavors around New York and Los Angeles. There were also a few TV guest appearances to follow between 1973 and 1985, but that was pretty much it. However, behind the cameras, she worked as an acting teacher at the American Film Institute (1977), the Lee Strasberg Institute (1983) and as acting coach for the reality television game show Star Search (1983). - IMDb mini biography by: I.S.Mowis

A bitter young man sets out to get back at the gangsters who murdered his father.

When several women are found mutilated and murdered, the Paris police are baffled as to who the killer may be. All evidence points to Dupin, but soon it becomes apparent that it is someone (or something) stronger and deadlier than a human.

Adaptation of a Strindberg play by Lee Grant for the 1974 AFI Directing Workshop for Women. Restored in 2022 by the Academy Film Archive and The Film Foundation. Restoration funding provided by the Hobson/Lucas Family Foundation.

An unmarried teacher in a school for unwed mothers finds herself becoming too emotionally attached to her students and their problems.

A mother and daughter who run a brothel for truckers fight back when the Mafia tries to take over their operation.

Walt Sherill is attacked and beat down by a group of juvenile delinquents on his way home from work one night. The boys who attacked him are not previously known by the police and are therefore hard to track down. As Sherill starts getting impatient he begins his own investigation. Meanwhile, Detective Sergeant Koleski does his best to track down the culprits.

A year after a violent train robbery the Pinkerton detective agency hires a bounty hunter to find the three remaining killers. He tracks them to Twin Forks but has no clue to their identity. Tensions surface as just his presence in town acts as a catalyst.

A young woman whose baby died in childbirth refuses to believe it and has dreams that her child is still alive and in danger. A scientist who is conducting experiments about dreams tries to help her.

A long-married couple embark on one last cross-country journey when it is discovered that the wife is dying. Together they try to reconnect with their estranged daughter before it is too late.

A country doctor (Franchot Tone) loves but cannot have a professor's wife (Clarence Derwent) in Chekhov's play set in czarist Russia.
