Inspector Sergey Baev arrives at a fishing collective farm for a new job and begins to fight poaching. This does not please both poachers and the head of the artel Fetisov. Having failed to reach a compromise solution, Fetisov sends the Ermakov brothers to "deal" with the new inspector. But the intervention of the police stops the fight, and the criminals receive the punishment they deserve.

As WWII comes to a close, a wounded Soviet soldier and a Kazak woman seek refuge in a church. In this holy place, they take time to rest and appreciate the beauty of their surroundings, as the interior of the building is lined with ornate works of art. A group of Nazi soldiers eventually disrupts this moment of peace, as they enter the church and defile the sacred works within. Undetected, the original occupants witness this atrocity and the proud Russian feels compelled to fight in an effort to preserve his country’s history.

Abkhazia, 1921. Alkhas, a Bolshevik underground worker, returns to his native village to strengthen Soviet power in his homeland. Aditsa, the prince's daughter, falls in love with Alkhas, but her father would like to marry her to Prince Safarbey. The prince did not accept the new power and took up arms. Safarbey's gang kills Red Army liaison Korablev...

Abkhazia, 1921. Alkhas, a Bolshevik underground worker, returns to his native village to strengthen Soviet power in his homeland. Aditsa, the prince's daughter, falls in love with Alkhas, but her father would like to marry her to Prince Safarbey. The prince did not accept the new power and took up arms. Safarbey's gang kills Red Army liaison Korablev...

Two young directors adapted the short stories of two Russian authors whose works had been banned for decades, and so their film ended up in the censor’s vault as well – for twenty years. Both tales look back to the post-revolutionary era: 'Angel' (Olesha) speaks tragically of the brutality and destruction of the time, and 'The Homeland of Electricity' (Platonov) captures its haunting grotesquery.

As 1809 nears its end, Natasha attends her first ball, where Andrei falls in love with her with the intent of marriage. However, as her father demands they wait, the prince travels abroad, leaving Natasha in desperate longing. But she meets Anatol Kuragin and forgets Andrei. Part two of the four-part adaptation of Leo Tolstoy's 1869 novel.

The main character of the film is an ordinary chauffeur Pavel, whose life is not very successful, despite the fact that he is a very kind and fair person. Finally, fate smiles at Pavel, he meets true love, but more and more tests fall to his lot, as if testing a simple guy for strength.

In a world inhabited by anthropomorphic produce, Cipollino fights the unjust treatment of his fellow vegetable townsfolk by the fruit royalty (Prince Lemon and the overly proud Lord Tomato) in the garden kingdom.

The Homeland of Electricity, Larisa Shepitko's adaptation of an Andrei Platonov story, was one of three short films collected in an omnibus work (Beginning of an Unknown Era) commissioned to honor the 50th Anniversary of the October Revolution. Censors eventually shelved the film and it would not see the light of day until well after Shepitko's death, during Mikhail Gorbachev's perestroika.

At the heart of the plot - the erroneous message about the death of Varvara Antonovna gathers around her son, daughter-in-law and grandson. They feel a sense of deep guilt, so carelessly treating a loved one for a number of years