Ali is the image of modern Africa. He happily returns from a football match on his motorbike but a nasty surprise is waiting for him at his parents' home: he finds Haoua, his bride-to-be, waiting for him. The wedding is celebrated shortly afterwards and the two begin living together under the same roof. They are strangers but cannot stand each other. Haoua is the classic traditional woman who has just arrived from the village, God-fearing and faithful to the laws of tradition. Ali's friends advise him to look for a second wife. He meets Henriette, an uninhibited and provocative city girl, the woman of his dreams. To meet Henriette's constant requests, Ali 'borrows' some money from the coffers of commander Soleymane, but he is discovered and ends up in prison. Henriette is furious and leaves him, whilst Haoua cries for him in despair.

Back from the US to his village in Niger, a man brings Ameican Western outfits to his close friends, who immediately identify with cowboys. A bloody western begins in the savannah.

Cabascabo, a veteran of the French colonial army in Indochina, returns to his home town in Niger, acclaimed by friends and relatives. In fragmented flash-backs, he tells the story of his adventure and the battles in that distant land.

One taxi driver, the other mechanics or masons. They drive a moped as Johnny Halliday and wear pants Zazous. During the weekend, they play in a real western with guns purchased at the supermarket, loaded with blanks. They love violence, their favorite actors are Edward G. Robinson and Glenn Ford. The heroine is selling at the Galerie du Niger. When the Nigerian filmmaker Mustapha Alassane turned the return of an adventurer, the first African western, Serge-Henri Moati wanted to make a film about film. The cowboys are turning black traces and proves at the same time the reality and fiction, film and life, sometimes extremely close, especially when it comes to the Wild West ..