Best friends Deco and Naldinho co-own a cargo boat in Brazil's Salvador da Bahia. They give a ride to a sultry prostitute named Karinna, and soon both men fall prey to her considerable sexual charms, pushing the bounds of their friendship to the limit.

Eight iconic performers of the first generation of Brazilian transvestite artists go on stage to celebrate their 50th career jubilee. The film depicts the human, personal dimension behind these icons, deconstructing gender stereotypes.

Due to her father’s death, Marie returns to the countryside after 15 years. Her childhood friend, Estêvão, is leaving with her on a trip to Crato, her father’s hometown.

A public relations man is invited to guide an American millionaire during his stay in Rio de Janeiro. He gets involved in the most bizarre situations, from orgiastic mega-parties to confrontations with the police, meetings with drug dealers and movie stars, facing corruption and even murder.

After being born Georgina in the outback of Bahia, she became known as Diva Rios in São Paulo’s Boca do Lixo and Rio de Janeiro’s Lapa, as well as Suzy King in the nights of Copacabana, but died as Jacuí Japurá on the border of the United States and Mexico. Four names for just one woman: fascinating, moody and very creative. Singer, songwriter, actress, ballet, folk, burlesque and exotic dancer, snake charmer and fakir were only some of the artistic endeavors she tackled during her life. Found dead on the trailer where she lived in August of 1985, in California, she left behind stories without conclusion, lost remainings of her troubled trajectory and a trail of mystery. Three decades later, two historians gather fragments of her tale with the goal of piecing together the complex puzzle that was her life. Actresses, singers, musicians and performers join them to rescue the poetic aspects of her unique personality. A question resounds throughout the entire movie: Suzy King, who are you?

Women writers intertwine their work in the form of an anthology in this feature film. The scripts are adapted from tales written by Brazilian women at the end of the 20th Century to create four shorts filmed by directors of groups under-represented in the cinematographic industry of Brazil of 2024. Themes such as death, healing, the body, marriage and desire are tantamount in stories in which women revisit their past in search of liberty.

On the eve of the Feast of St. John, Francisca, who is a widow about to turn 75, is on the verge of exploding like fireworks.