A factory worker is employed in the desolate, cold-storage cellars of a brewery. His spare time he devotes to collecting romantic images of wild flowers and sticking newspaper cuttings in an album, demonstrating a preference for more gruesome stories. Murders, rapes and acts of violence are the events which accompany his everyday existence and invest it with a tinge of color.

Based on a notorious Belgian court case, My Friend, or The Hidden Life of Jules Depraeter follows Jules Depraeter, a charming but manipulative businessman from Ghent who becomes entangled in robbery, fraud and conspiracy. When police discover stolen jewels and securities in the trunk of a garage owner linked to him, a complex investigation unfolds. During the trial, Depraeter attempts to save himself by accusing a respected investigating judge of masterminding the crimes and plotting the murder of his own wife. Told through courtroom scenes and flashbacks, the film gradually reveals a web of lies, corruption and psychological manipulation.

Hugo Claus rewrote and directed Friday as the cinematic version of his original 1969 play of the same name. Just as in the play, the story begins with the theme of incest, as the father Georges (Frank Aendenboom) returns from serving his jail sentence for that crime. Unlike the earlier play, however, the film does not emphasize that aspect of the story. When Georges gets home he finds out that his wife Jeanne (Kitty Courbois) has had an illegitimate child by a younger man, Erik (Herbert Flack), and now both of them must somehow try to return to a normal life, given their only too obvious lapses in moral judgment. As the husband and wife try hard to accommodate each other's failings and start to get to know each other again, Erik comes back into the picture. Now the three of them must resolve the deep-seated conflicts that brought them to this emotionally-wrought juncture of love and betrayal.

In a part of Flanders where flax is the main crop, farmer Vermeulen rules his estate like an 'old school' patriarch, stern and authoritarian, nobody else's word is ever taken seriously, just scolded fools, he rather risks being wrong then considering any advice. His marriage is based on a grim understanding: the wife Barbele accepts his heartless manner with everyone, even their studious, smart, healthy, studly son and heir Louis, but his two silly sisters are spoiled with a pointless fancy nunnery boarding school education fit for the upper classes. Farm-life is hard enough, laboring without machines or reliable weather, but this year the stubborn master made it even worse by picking the riskier, badly drained field and sowing later then his neighbors, even when luck turns he'll fetch a lower price for it. Poor practically perfect Louis is granted neither praise, respect nor any pleasure, however hard and well he slaves, obedient like the hired farmhands although well-read. Even ...