Dionysis Papagiannopoulos | WatchedThis
Dionysis Papagiannopoulos
Acting
Biography
Dionysis Papagiannopoulos (Greek: Διονύσης Παπαγιαννόπουλος; 12 July 1912 – 13 April 1984) was a Greek actor. He was born in Diakopto in the northeastern part of Achaea in 1912. He studied at the Drama School of the National Theatre of Greece (Ethniko Theatro) in Athens and made his stage debut in 1938, appearing as the Knight in William Shakespeare's King Lear. He excelled in Shakespeare's Hamlet as the Grave Digger and in Dimitris Psathas' Fonazei o Kleftis as General Solon Karaleon. Dionysis Papagiannopoulos acted in all types of plays and appeared in more than 120 films in supporting and leading roles. One of his leading roles in cinema was O Kyr Giorgis Ekpaidevetai (Mr. Giorgis is being educated) (1977) which was the last film made by Finos Film and marked the end of an era. He also worked for television. One of his biggest successes was his role once again as Mr Giorgis for the television show Louna Park. He was generally considered as an actor with an enormous talent and incredible acting techniques. He always left a strong impression in all the roles he had, comical and dramatic. Remarkable was his work in the play To Megalo mas Tsirko by Iakovos Kambanelis, in which he portrayed Theodoros Kolokotronis, Eleftherios Venizelos and Karagiozis. Also he left a very good impression for his work in his last film, Voyage to Cythera directed by the famous Theo Angelopoulos. He died suddenly at the age of 71, in his apartment on Alexandras Avenue, today to the Metro Station Ampelokipoi region, due to a stroke. The people of Diakopto erected a statue in his memory, although, during his life, some had opposed him due to political issues.
Filmography Movies
Acting
For the heart of beautiful Helen
Louisa's father does not approve her young painter lover because he is poor.
Voyage to Cythera
An old communist returning to Greece after 32 years in the Soviet Union is disillusioned with the state of things.
Miss Manager
The strict and formal director Lila Vassiliou has under her orders all the staff of the technical office of which she takes over the management, but at the same time, she is looking to find ways of charm to conquer the lively sub-engineer Alekos Samiotakis.
We Have Only One Life
A bank teller discovers an accounting error, becomes rich and lives his life like he's never lived it.
The Robber Cries Thief!
An extremelly honest man, Timoleon Lambrou (Dinos Iliopoulos), who has lost his job many times due to his honesty finds a wallet full of cash and a letter from the USA that belongs to a military General who is the president o a large public organisation and decides to return it. The General's wife though, Lia (Rena Vlahopoulou), covers for her brother (Andreas Douzos) who has embezzled from her husband's organisation and the letter proves the lies and embezzlements. Finally, Lia gets hold of the letter despite the honest man's objections but the General, decides to hire him due to his honesty. There, he discovers the embezzlements and when he tells everything to the General, his wife and her brother try to prove that he is crazy, a crook, a communist and anti-systemic, things that usually make the General furious. The honest man is imprisoned but in the end Lia decides to come forth with the truth.
To Win the Lottery
A poor and oppressed employee wins the football bet lottery and decides to live the life he dreamed so many years, wastefully scattering his money.
1821 at the Cinema
In 1821, in Cinema, he records the cinematic representations of the Revolution from the first decades of the 20th century. until the present day. Despite the fact that the Revolution of 1821 constitutes the founding act of the modern Greek state, as a subject matter it is underrepresented in national film production. This is one of the points on which the research looks, which simultaneously examines the periods of concentration of films on the subject of the Revolution or, respectively, the periods of its collective silence. The purpose of the documentary is to study the ideological discourse and the cinematic language of the films with the theme of 1821, in order to highlight the function of the cinema as a carrier of Public History and as a factor in shaping the collective historical consciousness.
Return from the front
Lysistrata
Based on Aristophanes's play, Athenian women band together to encourage their men to stop fighting the Spartans by withholding sex from them when they return from the front.
The Young Lady's Fool
Julia, the daughter of Telis, general manager of the steel company, is a rich girl who likes the good living. Grigoris, a poor employee in the company who is in love with Julia, after a series of misunderstandings will lose his job and be fired ...
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