18 directors, 18 novels, 18 short stories about Moscow...

The action of the film begins in the Crimea in 1787. Representatives of the Western powers once again begin their intrigues against Russia, but the main characters, former midshipmen, who have already reached a respectable age by this time, and their adult children, stand up to defend their homeland. They have to sail to the Crimea from Malta and there take part in the war with Turkey; in particular, to take part in the battle of Kinburn under the command of Suvorov.

Crimea, 1787. Despite the Manifesto of the Russian Empress Catherine and the Kuchuk-Kainardzhi peace treaty, which forever united Crimea with Russia, Europe continues to weave intrigues, trying to break this sacred union. In the undercover struggle, all methods were used - from shameless gossip, dark rumors and false articles in newspapers to dirty manipulations with the illegitimate son of the empress sent to Europe for training - Alexei Bobrinsky, a passionate gambler and brawler. This weakness was cleverly exploited by international intriguers. Catherine instructs her faithful friends, the midshipmen, to cut the knot of the conspiracy ... Together with the fathers, their grown-up children, Shurka and Alexandra, go into battle.

A young Estonian goes to the Siberian Taiga to live as a hunter in a remote forest hut. He hopes to find his true self far from civilisation. The natives he meets introduce him to the myths of the north. The first is a young village teacher who wants to be a good wife to him. The second is a wild and untameable native who becomes his mythical bear-woman. When he accidentally kills a great black bear, his own shadow-creature, he burdens himself with guilt. However, he is given a chance of finding his inner balance. A romantic drama with mythical elements and breathtaking landscapes.

"Mirages of Love" is a Soviet-Syrian film directed by Tolomush Okeyev about the fate of Mani, a medieval oriental master.

Russia, 1736. The sixth year of Anna Ioannovna's reign. To strengthen the family of her female ancestors, the Miloslavskys, the Empress bequeaths the throne to the future son of her niece Anna Leopoldovna. There has never been such a thing in history that a non-existent child has become the heir. Meanwhile, for the sake of a worthy military alliance with Austria, the Empress trains Anna Leopoldovna and Anton Ulrich, Duke of Brauschweig. The mother of the future heir does not like the groom, and this is used by Peter, the offspring of Biron, and the Saxon envoy Moritz. The hunt for the princess begins between these two knights.

Russia, 1736. The sixth year of Anna Ioannovna's reign. To strengthen the family of her female ancestors, the Miloslavskys, the Empress bequeaths the throne to the future son of her niece Anna Leopoldovna. There has never been such a thing in history that a non-existent child has become the heir. Meanwhile, for the sake of a worthy military alliance with Austria, the Empress trains Anna Leopoldovna and Anton Ulrich, Duke of Brauschweig. The mother of the future heir does not like the groom, and this is used by Peter, the offspring of Biron, and the Saxon envoy Moritz. The hunt for the princess begins between these two knights.