
Acting
Dimitris Imellos (Athens, 12 June 1967 - 16 December 2024) was a Greek television, theatre and film actor. He participated in theatrical performances: Iphigenia in the Land of the Bulls, Oedipus at Colonus, A Magnificent Cuckold, Persians, Antigone, Frenapati, Nostalgos, Love's Barren Struggle, What Never Ends, Medea, Molière, Oneiro, Tartuffe, The Idiot, At the Bottom, The Last Today, Erotokritos, Amphitryon etc. In cinema, he played in the films: Aliossa by Thanasis Skroumbelos (1999), Beautiful People by Nikos Panagiotopoulos (2001), Para ligo, para ponto, para trikha by Stella Theodoraki (2002), Delivery by Nikos Panagiotopoulos (2004), Sweet Memory by Kyriakos Katzourakis (2005), Bank Bang by Argyris Papadimitropoulos (2008), Ap' ta kokala vgalmena by Sotiris Goritsas (2011), Chronia pollaka by Christos Georgiou (2017), I tsipira tis by Nikos Labôt (2018), Tailor by Sonia Lisa Kentetman (2020), and Fonissa by Eva Nathena (2023). On television, he appeared in the Alpha series To 10 (2007–2008), directed by Pigi Dimitrakopoulou, as well as in the series Karyotakis, My Name Is Vangelis, You Don't Kill Me, Apology, Life in the Grave, Sasmos, and Agios Paisios, from Farasa to Heaven.

Two brothers, the honest Michalis and the swindler Nontas, are forced to resort to bank robberies in order to pay off the latter's entanglements with the mafia. Michalis' love for a secret police officer, a strange couple of her colleagues and Nontas' greed will make things even more complicated.

The documentary presents rare photographic archives and hitherto unknown film documents documenting the unique case of Grigoris Lambrakis. Valuable first-time material that has been specially edited to be saved and shared with the public decades later. In the documentary - among other things - Grigoris Lambrakis himself appears in the Marathon Peace March, while footage of the popular pilgrimage to his body and the grand funeral-demonstration are presented, as well as testimonies of people who knew or worked with Grigoris Lambrakis.

The early Middle Ages. A time of heavy swords and dark blood law. The ruling clan is in discord. The guilt for the accidental death of the brother has fallen on the Grand Duke. According to the law, revenge must be taken by the younger brother, a bastard. For the refusal to kill, he has to pay with eve- rything he had, because “for peace you need more swords than for a war”...

It is the early 20th century on a dystopian Greek island. Hadoula, a widow who lost her husband, loannis Fragkos, at a young age, is a woman who has learned how to survive in a male-dominated and extremely patriarchal society. Hadoula carries a difficult burden within her. Like a baton passed on to her from her mother, and the generations before her, she is meant to accept the belittling and degradation of women. Hadoula reacts. Her personal, internal revolution soon comes forth. The victims of her outburst are the little girls of the island, whom she sets free from the social and economic burden that their existence entails by taking their lives. Her actions will bring her face to face with the law. She leaves her home and escapes to her refuge, nature. But as much as her faith and morals dictate that she did the right thing, her trans-generational trauma follows her everywhere. And the end comes as redemption.

Volker can hardly imagine anything better than being the father of a daughter. However, he knows far too little about the real life of 17-year-old Daphne after separating from his wife. He wants to change that with his first daddy-daughter vacation, billed as a trip to Crete's dream beaches. However, the educational program the lecturer has come up with doesn't really suit the teenager's interests.

A comic road movie about a late adulthood. On a summer weekend two old schoolmates in their early forties start a road journey in search of their old classmate Nadia, who has joined a convent somewhere in the south of Greece.

Phaidon and Vicky are successful therapists and a happy married couple, until they meet a couple different from all others! For the first time they see how their 'successful' marriage is far away for a marriage truly fitting. This film includes everything. Humor, emotion, hyperbole, a murder and a rich cast of popular Greek actors. Focus on the original sin of Adam and Eve, this movie is 'trying' to make a commentary especially on the problematic marriage, but also on bad relationships. Does not succeed, precisely because it does not actually saying anything new. However, while remaining on the surface, there is a sincere disposition towards the situations presented.

A deep, unfulfilled love within an erotic triangle. A story of trust and betrayal. A story of present-day Athens, of onlookers, of hesitation. Where holding back is normal, no matter how self-destructive.

Chariton Ulianov has one great love: Life! That particular love affair however does not hamper him in his pursuit of enjoyment of her simpler pleasures. For him every woman is beautiful, every wine is superior when shared with good company and every situation an opportunity for good humor. His position as School Master in a small provincial town on the island of Corfu gives him the opportunity to disseminate his own unique philosophy especially to the students that participate in his greatest passion: the choir.

A devoted but underappreciated housewife's brief taste of autonomy as a mall cleaner (where she is a popular, model employee) is threatened by pending layoffs.






