A day in a Hyatt suite gone weird

Dimitri Venkov’s Krisis is based on a Facebook discussion on December 8, 2013, the day on which pro-European demonstrators in Kiev started to demolish statues of Vladimir Lenin. The film reenacts debates between Russian and Ukrainian artists during the protests, revealing deep aesthetic, historical, and political divisions.

Would it be correct to suggest that none of it happened?

Would it be correct to suggest that none of it happened?

A group of artists set out on a quest of organising their own biennale in Istanbul.

An immigrant in Istanbul, the Russian filmmaker finds himself caught between a rock and a hard place: on the one hand, his legal status becomes uncertain amid the turbulence of Turkish presidential elections, on the other hand, the crackdown on dissent in Russia makes his return impossible. In these circumstances he turns to the legacy of Moscow conceptualism, an art movement, which existed under the radar of Soviet authorities, to make a film that would convey his sentiment yet pass through the needle’s eye of censorship.

An anthropological study of a cargo cult in a fictitious self-marginalized commune, which existed next to the Moscow Ring Road - a highway that marks the boundaries of the Russian capital - and survived mainly on roadside trash. Although the road provided for their basic needs, the existence of the commune was extremely precarious and highly dependent on the roadway's fluctuations. This dependency led them to develop a cargo cult of the road.

An anthropological study of a cargo cult in a fictitious self-marginalized commune, which existed next to the Moscow Ring Road - a highway that marks the boundaries of the Russian capital - and survived mainly on roadside trash. Although the road provided for their basic needs, the existence of the commune was extremely precarious and highly dependent on the roadway's fluctuations. This dependency led them to develop a cargo cult of the road.

An anthropological study of a cargo cult in a fictitious self-marginalized commune, which existed next to the Moscow Ring Road - a highway that marks the boundaries of the Russian capital - and survived mainly on roadside trash. Although the road provided for their basic needs, the existence of the commune was extremely precarious and highly dependent on the roadway's fluctuations. This dependency led them to develop a cargo cult of the road.

A group of artists set out on a quest of organising their own biennale in Istanbul.