Bakhva Pulava, a merchant from Poti fells in love with a poor tailor woman named Esma and marries her. At the same time, enchanted by her beauty, another man named Jeremiah Tsarba decides to kidnap her. When Esma refuses to share bed with him Jeremiah mercilessly kills her and when faced by accusations avoids punishment with the help of Valida, an influential nobleman’s daughter. Bakhva Pulava makes a decision to take justice into to his hands.

Prince bon-vivant Levan Phantiashvili finds himself in a difficult financial situation. To make his life better he agrees to marry the merchant Adam Varakhidze’s daughter, Elo. The merchant is happy for this move opens the door in a high society for him until he finds out that Elo is not quite happy with his decision.

An aging drilling foreman recounts the brutal suppression of an oil workers’ strike in pre-revolutionary Baku.

The film mocks the stereotypical image of Caucasians and Georgians. False representations of the Caucasus are satirized: Kakhuri wine flows like a spring on a narrow street of Tbilisi, which is drunk with wine glasses; Barbers shave their clients with a dagger, and if something offends them, they cut them with the same dagger; And A dancing Georgian woman dancing is observing all these without any emotion.

Blinded by the desire of wealth, mother of Siko makes him leave behind his wife and child and go to America.

Love, adventure, and revolutionary uprising in 19th century Georgia.

A pretty young Azeri woman Giuli and Georgian guy Mitro are very in love. But because of traditions she can not marry him. Young people run away to get happy together, but without success.

The young craftsman Gogia and the village girl Tasia fall in love with each other. Arriving in Tasia's village accompanied by a wedding procession, Gogia Can't find his bride anymore, Turns out by the order of Tasia's godmother, the duke's wife, she was taken to the duke's house as a servant. The elderly duke liked Tasia and decided to marry her. Gogia with the help of his friends, Karachokheli, tries to get his bride back.

At the end of the 20th century, the son of a distinguished family, Sosiko Cholokashvili, became interested in cinematography, a field unknown to the public. Despite his inexperience, financial difficulties, and disappointment, one of the first enthusiasts of Georgian cinema recorded many shots depicting the appearance and existence of old Tbilisi on tape.

The heroic Koroghlu is a poor youngster who leads a peasants' revolt against the tyrannic Khan.