Chris Marker’s The Case of the Grinning Cat (Chats perchés) follows the appearance of the yellow M. Chat graffiti across Paris in the early 2000s, using it as a lens to reflect on art, protest, and politics in the post-9/11 era. Blending street imagery with footage of global and local unrest, the film serves as a playful yet pointed companion to Marker’s earlier A Grin Without a Cat.

Jean-Pierre Costa is a football manager upon whom fate appears not to be smiling. First, a friend, Annabelle, dumps a pet Labrador named Didier on him whilst she goes off to make a report in Los Angeles. Next, one of his star players is injured, leaving him one player short for a crucial match. As if things could not get any worse, Costa wakes up one morning to find that that Didier has been transformed into a man...

Filmed at the Théâtre de la Main d'Or on October 22, 2010. Dieudonné returns with "Mahmoud", in what can be described as "a contemporary artistic testimony with a strong humorous content." He tells us about the incredible events that led him to meet the Iranian president, Mahmoud Ahmadinejad. He takes us back in time and transports us to the 16th century on a plantation in Martinique to discuss the courteous relationships between masters and their slaves. He also talks about the all-powerful and revered field of medicine... only to mock it, of course. And it feels good!

Following a tragic news event, Dieudonné portrays a dozen characters who, in turn, give their version of the story.

From politics to politicians, from the media to the justice system, from your neighbor to even himself, Dieudonné really targets everyone in an uncompromising portrait of our society, tinted with vitriol.

Dieudonné receives his friend Patrick. The latter is in the midst of a depression following his divorce from his wife Sandrine. Dieudonné then comes to talk about couples' problems, romantic encounters, the effects of several years of married life, the role of a parent, children in the midst of divorce. In the course of his development, he even comes to the subject of war, religions, the attacks of September 11. In short, a whole program!

Fimed at the Théâtre de la Main d'Or. Dieudonné celebrates the 100th anniversary of the Law on the Separation of Church and State, which was intended to dissolve sectarianism and lead the Republic toward universalism, only to observe its failure... while attempting to analyze the reasons why with humor.

Patrick and Sandrine Boulard have been separated for several years now. Patrick cannot get over the breakup and breaks into his ex-wife's house one night. She files a complaint. The trial begins. After leading the public to believe that the show had been canceled, on the pretext that he had lost his "license to make people laugh," Dieudonné explains his weariness with controversy and his decision to choose a lighter subject. He thus reprises the character of Patrick, drawn from Patrick's divorce, and has the judge, the lawyers, and Patrick himself speak during the trial. This is followed by a series of sketches dealing, as a whole, with the relationship between men and women.

This mockumentary follows the world's worst boxer and the events that led to his meteoric rise in the year 1969.