Somewhere in a subtropical country white visitors crowd around dark-skinned plantation workers emptying their harvest baskets. They look curious, as if wanting to test the quality of the tea leaves. Everywhere tourists take out their cameras ­ whether in front of large animals in the wild or camel riders, whether in the face of decorated human bodies or daily work routines. Now and again they look into the camera themselves. For later, for when they will proudly show their 'exotic' finds at home. This posing contains a model of western travels and picture making which is over a century old. The fascinated gaze on the foreigners fixes them in pre-formed frames. Lisl Ponger follows the trail of that gaze by taking amateur found footage material and linking it together in new ways.

In the year 2700, a comic book artist encounters a mysterious alien while seeking revenge against the pyromaniac who burned down her printing presses.

In the year 2700, a comic book artist encounters a mysterious alien while seeking revenge against the pyromaniac who burned down her printing presses.

In the year 2700, a comic book artist encounters a mysterious alien while seeking revenge against the pyromaniac who burned down her printing presses.

Composed of 28 static-camera scenes from everyday (occupied)-Tibetan life, each picture (without narration) a "narrative" lasting several minutes, these 28 views explore the contradictions between the traditional way of life and modernism's obvious invasion of Tibet.

In a black-and-white comic format three characters are tossed from life into death and back again into life. They flourish in the chaos of androgyny; they cultivate their perversity as if it were wealth.

In a black-and-white comic format three characters are tossed from life into death and back again into life. They flourish in the chaos of androgyny; they cultivate their perversity as if it were wealth.

In a black-and-white comic format three characters are tossed from life into death and back again into life. They flourish in the chaos of androgyny; they cultivate their perversity as if it were wealth.

In a black-and-white comic format three characters are tossed from life into death and back again into life. They flourish in the chaos of androgyny; they cultivate their perversity as if it were wealth.

In a black-and-white comic format three characters are tossed from life into death and back again into life. They flourish in the chaos of androgyny; they cultivate their perversity as if it were wealth.