Schlager fan Dieter still lives with his parents and doesn't really fancy anything: neither women nor regular work. His parents, ideological old hippies, want to restrict Dieter's freedom as little as possible, but they still want to make the love-struck Candy appealing to him. Annoyed by the constant demands, Dieter leaves the house and finds himself in a nightclub. There he meets Petra, who is about to get married to Hilmar, the heir to millions. Petra wants to enjoy one last love affair with Dieter before the wedding. After a passionate kiss, they are both thrown back to 1972. Dieter, who regains consciousness in a shared flat in Berlin, finds out that Petra is in Munich, whereupon he sets off to find her. His journey holds many a bizarre adventure, such as a meeting with his young hippie parents.

Sadie looks up to her older sister Georgia, a successful folk singer. Unfortunately it is this very obsession — coupled with her self-destructive tendencies and rampant drug abuse — that keeps her spiraling down the drain.

"La Dolce Doku" is a master's thesis by Leonard Stern. The film delves into the pop-cultural phenomenon of Roy Bianco & Die Abbrunzati Boys – a band that represents far more than "just" Italian pop music. It explores authenticity, musical DNA, a longing for Italy, and the question: Why does this project work so well – and why does it resonate with so many people? Through interviews, studio footage from Vienna, concert moments, expert opinions from figures such as Dieter Thomas Kuhn, Dr. Richard Brütting, and Prof. Dr. Christoph Jacke, as well as insights from longtime associates of the band, the film attempts to paint a multifaceted picture – without shattering the myth. The documentary aims to explain why RB&DAB are not just a fleeting phenomenon, but a band with lasting relevance.