A group of Italian villagers struggle to survive during a tumultuous time in 1943, debating how much assistance to give the partisans with the impending arrival of the Germans. Based on True Events.

Italy, September 1943. After the armistice and the flight of the King, the war theaters of the North-East see the advance of Tito's partisans. At the center of the story, in this dramatic historical context, the figure of Norma Cossetto, a young Istrian student, barbarously raped, killed and thrown into a foiba by the Tito partisans.

This utterly surprising debut gets cinematically richer with every twist and turn – allowing for moments of fabulously deranged buddy comedy, touching a sense of Western, always staying true to being a descent into the abyss of the human mind and desire.

We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art are constantly refracted and intermingled to the point where they become one.

A Romanian girl dreams of living the glamorous life she sees in Italian soap operas.

The reconstruction of a body is for two friends the starting point of a journey into the wilderness of the old west, into a world where only those who have come to terms with death have figured out how to live.

The year is 1764. For over a year, Josef has been leading a precarious life in Venice. He hopes to become an opera composer. The city, full of talented and already-established composers, seems closed to him. Looking for work as a violinist, he comes into the orbit of a rich young woman. Thanks to her, he gets the opportunity to play at salons. But his real opportunity arises when he becomes the lover of a libertine marquise. She teaches him worldly manners, rids him of signs of a provincial upbringing and introduces him to a hedonistic existence free from religious intolerance. Thus transformed, Josef gets an incan incredible commission: to write an opera for the San Carlo, Europe's largest theatre.

The film is the result of a planned trilogy about the kidnapping and murder of Aldo Moro by the Red Brigades first announced by director Grimaldi in 2003: shot in the UK on a low budget, the project was never completed because of lack of funding and other issues, and the existing footage from the first two planned installments was condensed into a single movie and released on DVD in 2009.