In the third part of a Cinéastes triptych on Jean Renoir, the director sits alone in a cinema analyzing scenes from La Marseillaise and The Rules of the Game, and discussing his editing and storytelling techniques.

A tennis champ falls in with the Hollywood crowd, finds himself being corrupted by the life in the fast lane.

La P’tite Lili is a silent short drama depicting the fate of a young orphaned girl in the working-class districts of Paris. The film follows Lili, a teenage girl marked by innocence and vulnerability, as she is drawn into the city’s underworld after encountering a man who exploits her circumstances. Told through impressionistic visual style rather than dialogue, the film presents a tragic portrait of social marginalization and moral collapse within an urban environment.