Ester is happy to be starting high school, but trouble begins when she discovers that her ex-boyfriend Kaj has also enrolled in school with the goal of getting back together. With all her peers supporting Kaj, Ester befriends Vanda and they pretend to be a couple to win acceptance from classmates and Vanda's parents. The plan works at first, but their newly awakened emotions soon start to complicate things.

Inspired by a real event, the film follows 27-year-old Lara (newcomer Diana Kolenc), a paramedic intern who helps bring 30-year-old Kristijan (Vito Weiss) into the hospital, after he was brutally beaten on a Facebook live stream that was seen by 20,000 people and no one called the police. Although Kristijan is in a coma, Lara starts to receive video clips from his Facebook profile, showing unidentified persons watching him get beaten. She reports this to detective Borut (Jure Henigman, from A Trip and Dual), who starts an investigation. All the observers, who appear in the video clips, will become Lara’s nightmare in her real life. She soon realizes that she is also an accomplice in this horrible event.

Liza, an ambitious pianist, plays the piano for an older, successful man, Marko, while he has sex with other women. Apart from the mysterious concerts, Liza's life is a lonely routine of estranged relationships. Liza looks out of the window at the life she has never had and seeks an escape from her loneliness in Mark.

Mak is an unemployed musician, while his girlfriend has just received a job promotion. After suffering a panic attack, he looks for comfort in getting drunk with an ambulance worker.

Joža Čop, an illiterate man of the people, earned great respect from his fellow compatriots. He once famously said: "I’ve never climbed for fame and newspapers, so that people could wipe their asses with me." The film is also a story of the cradle of Slovenia's intellectual and sporting elite, Slovenian vitality, confidence and national pride.

This educational omnibus comedy plays with the realization that we are not aware the obviousness of our everyday communication. The short film does not hide its example, the discrepancy between image and speech, which was made famous in this genre by Monty Python's Flying Circus, but at the same time, with its almost advertising nature, it pushes the boundaries between art and agitation.