In Imperial Russia, Anna, wife of the officer Karenin, goes to Moscow to visit her brother. On the way, she meets charming cavalry officer Vronsky, to whom she's immediately attracted. But in St. Petersburg’s high society, a relationship like this could destroy a woman’s reputation.

Shulamith was written in 1883 by the father of modern Yiddish theatre, Abraham Goldfaden. The opera, based on an ancient legend, tells the story of Shulamith, a girl who is trapped in a well in the desert and falls in love with her rescuer. Although they vow to be faithful he marries someone else, but years later are reunited. Shulamith was the opening performance at the Hebrew Dramatic Club in Princes Street in 1886 and ever-popular with the crowds, it returned to the Yiddish stage in London a number of times in the 1910s and 20s. The well-loved lullaby Raisins and Almonds was written by Goldfaden for the opera.

The wild peasant lad, Göndör Sándor, loves Bátki Tercsi, but the heart of the girl burns for the son of the mayor, Feledi Lajos. He is frantic with despair, and Finum Rózsi who is hopelessly in love with Sándor tries to calm him down in vain.

Lillian Garson, a woman of noble English ancestry who is married to a commoner, has written a letter to her husband, ending their marriage.

The jealous prince Manihiki has to go on a journey and leaves his wife in the custody of his servant. The princess Vjera escapes and meets the count Ivan. They spend three weeks of blissful seclusion.

Nelly has as many as two suitors; the handsome but light-minded Miklós, - who even made a conquest of mother - and Gyula, the inhibited weakling yet with a secure income.

The film is about a woman who experiences frightening visions after visiting an insane asylum where one of the inmates claims to be Count Dracula (here following the Hungarian spelling Drakula). She has trouble determining whether the inmate's visions are real or merely nightmares.