This fictional feature follows a twenty-something man who is struggling to define his position in the world in early adulthood. He has left their parents' home but still has not made an home of his own. Our protagonist’s alienation is palpable; for him life is a game, not because he chooses to make it so, but because he is unable to make anything more of it. But for those who befriend him and eventually turn him loose again, his game is not enough.

A view from a helicopter of the ten Canadian provinces in 1966. The result is a big, beautiful and engrossing bird's-eye portrait of the country. Nothing here is quite the same as seen before, even Niagara Falls. Canadians will be thrilled by this panoramic view of familiar territory. Made for international distribution for the Canadian centennial.

In this short film, a young man, a girl and a dog attempt to fly with wings more symbolic than practical.

In this short film, a young man, a girl and a dog attempt to fly with wings more symbolic than practical.

Experimental filmmaker and color cameraman here collaborate in a surrealistic retelling of the old myth. But this is a dream fantasy with no real parallel to Pandora, replete with striking symbols where everything is larger than life--the silhouetted image of a mother and an infant, the profiled view of two sculptured heads spouting smoke and fire.

This full-length documentary examines the work of Krzysztof Wodiczko, an artist who has taken his art out of museums to project it onto the sides of buildings. The film explores Wodiczko’s philosophy of art as social contract and shows examples of his provocative work, which has lit up walls from London's Trafalgar Square to Zion Square in Jerusalem.

A film based on the exhibition organized by the National Gallery that toured Canada in 1975. The paintings are juxtaposed with black-and-white newsreel footage of the more obvious social realities during the years of the Depression. The film shows that the artists of the day, in spite of economic setbacks, produced an inspired body of work.

A film where the director turns his camera on his own domestic existence and essays to show it 'like it is' without the structure usually imposed by filmmaking. What he tries to mirror is the essential aloneness of people, life in suspense, of unmotivated being. Adult life is seen in black and white; that of his infant son, Max, is in colour. The contrast suggests the loss of joy that comes with maturity and knowledge.

This is a "nowhere tour" of Montréal, a sort of parody of the world we live in, where all is confusion, aimlessness and noise. A recurring figure in the film is a Highland piper walking his beat on a lonely patch of ground beneath an elevated highway. The busload of sightseers encounters him as they do other objects of curiosity. At one point, the tour guide, a young woman, and the piper have a fling at dancing. It is a bus tour where everything is unexpected.