Hartono, a administration staff of "Partai ASU" (Anggaran Semuanya Untukmu) is a innocent one who always be used by Partai ASU to be nominated as a President Candidate. This case done because lastest President Candidate from Partai ASU be arrested by KPK because the corruption case. Then Hartono realize that he was only used as a puppet of the leaders and continue to cover their crimes. In the middle of numerous threads, Hartono tried to follow her inner voice

Donnie goes missing and the rest of the Thornberry family have various adventures (broken bones, getting lost in a cave, and a forest fire) while looking for him. It has been screened as a TV movie and as four episodes in season 4 of the TV series.

Diki, Beni, Rachel, Bagas, and Wina went on a horror trip to Lawase Urip Village after Beni found a mysterious flyer on the campus bulletin board. Upon arriving in the village, they began to feel something strange and unsettling... They thought they were in for a fun adventure, but it suddenly turned into a horrifying terror. The line between real ghosts and fake ones became impossible to distinguish.

Bimo and Lala want to married after Romy wedding. But when Romy wedding was failure, Bimo cinfused to continued married.

After failing to become a hero, Cacing now works at an insurance company. He was asked by his superior to negotiate with his old nemesis, The Road Devils motorcycle gang, to stop causing more riots in Bandung.

Tawa, a rising stand-up comedian, builds her fame on jokes about her estranged father, Pak Keset, a veteran comic whose career collapses as hers takes off. When she reunites with him to find new material, their uneasy collaborations blurs the boundary between performance and personal reckoning, pulling long-buried scars back into the spotlight.

Dilan is an ITB student who returned from Cuba in March 1997. In the midst of the heated political situation leading up to the Reformation.

Behind the Scenes of Dilan (Di Balik Layar Dilan) is an approximately 75-minute observational documentary that captures Ariel NOAH’s journey as he is entrusted with the role of the adult Dilan—a decision that immediately sparked public debate. Amidst the commentary, expectations, and the weight of nostalgia attached to the figure of Dilan, the film goes beyond simply observing the acting process; it dissects how a fictional character transforms into a collective memory contested by many. From Bandung as the birthplace of the myth, through intimate reading rooms, to the final day of shooting, the documentary follows Ariel's transformation as a human being, a public figure, and a new vessel for an icon. Ultimately, the film poses one profound question: when a myth changes bodies, who is truly being tested—the actor, the character, or the audience's own memory?