Cape Verde, 1964. At the feet of a mighty volcano, the traditional Cape Verdean society is undergoing a steady change. The old land-owning aristocracy is disintegrating. A class of "mulattos" begins to emerge, with a trade-based financial power that threatens the landlords. A new identity arises, a mix of old and new, of African and Portuguese culture, sensual and dynamic. The songs of Cesária Évora follow this inevitable transformation. From the novel by Henrique Teixeira de Sousa.

This standard slice-of-life drama is about Dju Dibonga (Richard Courcet), a young man who leaves his home on Cabo Verde, an island of Portuguese dependency off the coast of Africa, to go to Luxembourg and search for his father. Far from his home village and unfamiliar with the large city, the young black man forms an unlikely friendship with a down-and-out white policeman whose only consolation in life is found at the bottom of a bottle. Their developing companionship forms the main focus of this movie directed by Pol Cruchten.

Pregnant girl in trouble teams up with a young boy to find the mother of the boy.

How many rounds you do have to spin on the dance floor until all your dreams come true? Eugene, Gino, Christina and their friends are already past their prime. But that doesn't stop them to search for love and sex. They meet in Paris daily in dimly dance clubs where they express their desire for living a full life in togetherness through dancing. And if prince charming is reluctant to appear the well-heeled ladies spent some money for lessons with 'taxi boy' Michel. Michel dances with them for money - and behaves like a real gentleman. In search of love both - men and women - overcome nearly every obstacle, even if in many cases it doesn't bring them closer to their aim.

Karim lives in Brussels and is finishing his accounting studies. He soon begins a romantic relationship with Sophie, a young woman he met at a travel agency. But life quickly becomes complicated when you are the son of immigrants, when you are faced, despite your successful studies, with rejection or unemployment, and when you feel torn between two worlds, two cultures! Without resorting to simplistic black-and-white thinking or pessimism, the filmmakers paint an endearing portrait of this couple as they struggle to find themselves, but also with great tenderness.

Constance, 1414. Nothing prepares Marie for the cataclysm that is about to befall her life. Her beauty, chastity, and dowry promise her the best of matches. In love with Michel, her childhood friend, she wants to settle in Cologne to live her life independently. But her father, a wealthy merchant, has other plans. According to his will, she will marry Master Ruppertus Splendidus, a young and brilliant lawyer, the illegitimate son of a local nobleman. This union will allow her to become an aristocrat and gain access to the court. But when Marie is slandered, thrown into prison, and then raped, the fairy tale suddenly turns into a nightmare. Summarily tried and then banished, she has no other choice for survival than to join a group of itinerant prostitutes...

As war-ravaged South Sudan claims independence from North Sudan and its brutal President, Omar al-Bashir, a tiny, homemade prop plane wings in from France. It is piloted by eagle-eyed documentarian Hubert Sauper, who is mining for stories in a land trapped in the past but careening toward an apocalyptic future.

'The Colour of the Sacrifice' hands over to these men, for the greater part enlisted by force, who came from the colonized countries and played a crucial role during the Second World war.

Three years after the wedding husband Richard starts to set up his wife, the teacher Marion, with his love and jealousy. He wants to have a baby too. Her best friend and the head of the school only see the nice husband. Antoine, the fiend's brother, is the only one believing her. Everyone else starts to believe that Marion is getting insane is about to become a mental case. Marion moves out, but it's not over. Richards terrorizes her and even starts to get violent. Her only solution is to move to Antoine but that doesn't make it only worse ...

Three no-budget semi-professional filmmakers finally get their due in this witty but respectful documentary. Director Frederic Sojcher visits three fellow Belgian auteurs whose ambitions outstrip their budgets, or their recognition. Max Naveaux is a projectionist who decided to take a stab at making movies himself, putting together small-scale war films whose realism was heightened by the fact that the Belgian Ministry of Defense gave him permission to use real bullets for one of his movies. Schoolteacher Jacques Hardy has dabbled in creating film noir, costume horror, and comic-book adventures, most starring his friend Christian Vranken, who makes his living as a church caretaker and insists on casting approval for his female co-stars. And Jean-Jacques Rousseau is a self-styled surrealist whose commitment to obscurity is great enough that he insists on being interviewed while wearing a ski mask.