A portrait of Austrian artist Gustav Klimt whose lavish, sexual paintings came to symbolize the art nouveau style of the late 19th and early 20th century.

Melanie is in her mid-thirties and works for the Brandenburg police. Her precinct is the province north of Berlin. Melanie likes it when anybody likes her. If it gets political, she keeps herself out. But that's no longer so easy when her best friend Lydia, an ex-daily soap star, makes herself important as a populist influencer with right-wing slogans in her home village and a street disappears overnight. Its bumpy cobblestones were the last evidence of a dark time when building material for the Wehrmacht was mined at the Kiessee, today a bathing area. Forced laborers and concentration camp prisoners toiled here. Elementary school teacher Anja considers it a thoughtless mess that this stone memorial to history should simply be asphalted. With brown homeland paroles, Lydia heats up the mood in the village and earns good money through clicks on the Internet. When the violence escalates, law enforcement officer Melanie, who is addicted to harmony, has to decide which side she is on.

Photographer Anja Niedringhaus was 26 when she came to Sarajevo in 1992 to report on the war. It's bitterly cold there, there's no electricity, hardly any food, and everyone's lives are constantly in danger. Spanish photographer Sergio takes her under his wing and shows her how to survive in a war zone. Anja reported on the scene with interruptions for almost three years, later she worked in Kosovo and Afghanistan, among other places. In 2001 she switched to the most renowned photo agency in the world, the Associated Press . Her photos end up on the front pages of the major international newspapers, and in 2005 she received the Pulitzer Prize for her reporting from Iraq. In Kabul, she meets the AP's chief correspondent, Kathy Gannon, and the two soon become an inseparable team. But then a devastating attack took place during the Afghan presidential elections in 2014.

The story centers on tough police officer Alex Steiner, whose brother Tommi is shot in an assassination attempt and ends up in the emergency room of the sharp-tongued young doctor Rita. While Alex tangles with a cold-blooded underground organization in his hunt for those responsible, Rita discovers that the bullet in the young man's body isn't the only reason for his condition, which is deteriorating by the minute. Alex and Rita find themselves in a race against time, and with every new clue, they get closer not only to the diagnosis and the perpetrator, but also to each other.

Four loosely connected stories tell of the here and now, where human trafficking, the vagaries of people smugglers, violence against women, restrictive immigration laws, gambling addiction, debt and business deals of all kinds are the order of the day.

Franziska only wants the best for her bright grandson Tobias. That's why the retired teacher is very worried when the boy starts to drop off at school. His mother Silke, a hands-on woman from a modest background, is not worried. She doesn't want to raise Tobias to be a bookworm anyway, but is annoyed that her dedicated grandmother spoils the little boy rotten. The fronts harden. After an ugly argument, Silke forbids her grandmother to have any contact with Tobias. Franziska doesn't want to put up with this and goes to court.

Together with the ensemble of the Vienna Burgtheater, led by Kirsten Dene and Gusti Wolf, Franz Wittenbrink accounts in a wonderfully funny way with art and commerce in times of Mozart mania.

NARRATION analyzes the principle of storytelling not only through artistic practice, but also as a form of interpersonal communication. In six connected Topics divided - The Setting, The Situation, The Narrator, The Approach, The Past, The Construct - NARRATION narrates of the elements that allow words and pictures and any Structural feature to form every form of a story.