To secure a better future, Mrs Mc sends her son McDull (who is a piglet attending kindergarten) to many different classes and she has also bought her grave on mortgage. Inspired by J K Rowling, Mrs Mc tries her hand at writing. At bedtime, she tells McDull the story she wrote although McDull keeps asking her to read him Harry Potter instead. The story she wrote is actually the story of McDull's father, McBing, Prince de la Bun

As a child, Bobby Mak was known as Mcdull. Although Mcdull wasn‘t the sharpest tool in the shed, his mother was a different story. Her astounding intelligence and resourcefulness enabled her to, for example, simultaneously run more than six businesses from a space of less than 100 square feet. Mcdull and his mother lived together happily during Mcdull‘s childhood, but things began to change as Mcdull got older. A distance that never existed before began to grow between him and his mother…

McDull: The Pork of Music is virtually a musical, describing how the kindergarten, now destitute in HK's depressed economy, forms a student chorus to raise operating funds. The choir, of course, becomes wildly famous, and, guided by shady manager Big M (Ronald Cheng), reaches the apotheosis of HK culture: on stage with superstar Andy Lau.

As the 18th descendant of an extremely insignificant philosopher and inventor from ancient China, McDull is fortunate that he does not have a lot to live up to. However, his mother has higher aspirations for him and decides to send him to a martial arts school in China. Overweight and slow on his feet, McDull is the last of his classmates to run away when the headmaster needs to choose someone to represent the school in an international children's martial arts competition.

In McDull, the Alumni, our protagonist has grown up. He is no longer the little boy who banters with his mates at school. How he wishes he could just go on bantering all day long with his mates at the renowned Flower on the Spring Field Kindergarten. But that is not to be. Like all grown-ups, he has to grapple with harsh reality. McDull and his mates are scattered all over the place. Each one of them has to find his or her own path. In each of their hearts, they know they have failed. Meanwhile, life goes on in the kindergarten. Someone strums a guitar and the pupils chime in to the song: Puff the magic dragon, lives by the sea… A dragon lives forever, but not so little boys. With hindsight, McDull believes this could well be the maxim of the Flower on the Spring Field Kindergarten alumni.

McDull is not the brightest kid on the block, but he continuously tries to do his best to please his mother. Still it seems he may not be destined for great things like she wishes, but McDull strives to try anyway.

McDull has no black mask or red underwear, and certainly not supernatural powers. One day, an outerspace monster invades the Earth and makes mincemeat of the superhero sent to meet him. Now the responsibility of saving the Earth falls squarely on the shoulders of Mcdull and Risopot. Can they really save our planet? And the outerspace monster, why does he time and again invade the Earth?

Hong Kong is called many things, but "musical" is rarely, if ever, among them. Mak's semi-experimental documentary looks at a handful of local musicians who are actively forging creative havens in the city's most unexpected corners, from old dai pai dongs to major tourist hubs to childhood neighbourhoods. As Ah P, Billy and Dejay choose to express themselves wherever, whenever, Mak's latest explores social and political issues in the context of the physical space, contrasts the subjective with the objective, and proves that the city indeed has a vibrant indie music scene.