The date was November 2nd, All Soul's Day, when Nicole's naked body was found on the beach. Seven years on, Nicole's mother Madie, obsessed with finding out what really happened on that fateful day, visits her daughter's boyfriend Jim in prison. As memories unfold and secrets are unveiled in the search for truth and redemption, Madie and Jim stumble upon something more sinister. Shot in different formats, in colour and black and white, fragments of a tragic story emerge from this rich, visual film.

Helene Alving leads an outwardly contented life. On the eve of the 10th anniversary of her husband's death, she is about to open an orphanage as a memorial to him. To mark this occasion, her bohemian painter son Oswald has returned from Paris. Helene plans to take the opportunity to tell Oswald the truth about his father. But ghosts of the past erupt during an eventful evening, bringing the facade of civilised family life crashing down.

A sexy romantic drama in which, at the outset, the characters are leading their own lives in very different worlds, though each is beset by niggling discontentment. Michelle (Renée Weldon - IFTA Best Actress) is a fast-rising young Dublin lawyer with a smart apartment overlooking the Liffey, but dissatisfied in her relationship with a doctor (Declan Conlon). Conor (Aidan Gillen) is lonely and unattached, dutifully running the traditional Dublin pub owned by his hard drinking father (Eamon Morrissey). Late one night, Michelle bursts into the bar and orders a triple vodka. The consequences are explored and developed with an honesty and credibility as these disparate characters tentatively draw closer to each other. They become lovers. There is a strong sexual attraction. But there are complications along the way and the path to love can be rocky. Something's got to give. And what's the trouble with sex? You'll see...

A student of Cathrin is murdered and draped like a doll found on the beach. The dead body corresponds to the imagination of one of Cathrin's patients. Kelly, however, suspects a friend of the dead.

16-year-old student Moira McKendry, gifted, popular and fun-loving, is found dead after a school party. The fatal head injuries indicate a violent crime. Moira's best friend, the introverted Hanna, was apparently the last person to see Moira alive. But Hanna can't remember anymore.

Criminal psychologist Cathrin Blake is called to an emergency in the middle of the night: A young woman is threatening to throw herself to her death from a high-rise building. Cathrin knows the disturbed woman – Moon Flynn was in therapy with Cathrin a few years ago for a borderline disorder, but stopped it prematurely.

Based on the Japanese novel 'Loving the Dead' from acclaimed author Kei Oishi, the film centres on a damaged young man who, after shutting himself away for ten years, is forced to venture out into a world that he no longer understands.

Abbie Campbell is in prison for murder, she stabbed her sleeping husband. The background to the brutal act was never clarified, Abbie had refused any statement at the time. Criminal psychologist Cathrin Blake has to prepare an expert opinion on the young woman.

Life seems to be kind to criminal psychologist Cathrin Blake: a tender love affair has developed from the acquaintance with the charming Matt. Professionally, however, Cathrin faces a tricky case: A year and a half ago, the renowned psychologist Helen Bell disappeared without a trace.

Joe and Kate Ruttledge have returned from London to live and work among the small, close-knit community near to where Joe grew up. Now deeply embedded in life around the lake, the drama of a year in their lives and those of the memorable characters around them unfolds through the rituals of work, play and the passing seasons as this enclosed world becomes an everywhere.