When two neighbours clash, their argument becomes less about proposed building alterations and more about the wider battle between class and social status. The hugely impressive building in question is the only example of a Le Corbusier residential home in all of Latin America, adding to the poignancy of their argument.

Amelia, played by Paula and María Marull, is trapped by daily demands and obligations. She decides to embark on a journey to Esquina, in Corrientes, which will restore her essence, with the river, both metaphorically and literally, being one of the causes and protagonists of this dispossession. The viewer will gain access to the intimacy of the work in progress.

A couple is in crisis after the recent birth of their first daughter. She prepares a surprise birthday with the intention of saving everything, but the guests, friends of his, only complicate it. Circumstances do not help the evening: A defining soccer match that some want to see, the little daughter who sleeps in the room and no one should wake up, and a strange Italian guest that the men recently met On a trip to Córdoba, they strain the wait for the night to the maximum. The guest, for mysterious reasons, is delayed longer than necessary. When When he finally arrives, that home becomes a battlefield where these Immature adults seem capable of anything to continue holding the line. appearance of being happy.

Experimental film that's a poetic reflection on the alienation of man in modern society.