A woman is extremely possessive about her son, Abhay, and warns him against talking to any other woman. Things take a turn when he meets Maya and they fall in love.

Jaya and Suman, two college mates, once best of friends, are today's sworn enemies. Jaya is in love with Rajesh, who also uses to study in the same college, and who leaves no opportunity to praise Suman just to annoy Jaya although he does reciprocate her feelings. But seeing them together infuriates Rakesh, who also loves Jaya deeply. Jaya and Rajesh get married and Jaya's mother gives her some 'tips' on post marriage behavior, little knowing how much problems the same is going to create for her.

Rajni Tendulkar gets married to a printing press owner, A.A. Mangalkar, and has her name changed to Aarti. Both become parents to 3 children, Abhay, Asavari, and Ajinkya. Then Mangalkar's press burns down, and he is forced to work for an abusive employee, Raikar, who humiliates him. He, in turn, turns his anger on Aarti, the children learn from their father and become abusive toward her. The abuse multiplies after Abhay gets married to Meena, who orders her mother-in-law around. When Meena forces Abhay to convince his father to sell their Shivaji Park flat and move to Kandivli, Aarti opposes this, but is told to sign the relevant papers. Shock and surprises are in store for them when Aarti not only refuses to sign the papers but starts behaving strangely - as though she has been possessed by a spirit.

Shyam returns from London and Rao Saheb hands him all the business. Janradhan and employee of Raosaheb who eyes his chair creates a rift between the the two as Shyam considers his employee at the top. He loves Kiran whose daughter of Bhau Kasbe, an old rival of Raosaheb, Janardhan tells him that she is the reason behind Shyam's change. Kiran and Shyam get married with blessings of her cousin Raja but Raosaheb disowns them and they start living separately and Janardhan takes advantage of the rift and kills Shyam. But Kiran soon delivers a baby boy named Deepak years later Raosaheb comes across him and wants to take his custody.

Navri Mile Navryala is a classic Marathi comedy film directed by Sachin Pilgaonkar. The story revolves around mistaken identities and humorous situations that arise as a young man tries to find a suitable bride. Packed with lighthearted romance, witty dialogues, and entertaining performances, the film showcases the charm of 1980s Marathi cinema and remains a favourite among fans of the genre.