A Garrano horse is forced to pull a heavy load under the sun's blazing heat. The young boy, Joel, discovers a man who is about to set the forest on fire.

This is the story of a sixty day long walk in Cape Verde. No mobile phone, no watch, no plans for what to do next – only the bare essentials in the backpack. Out traveller explores the mountains, the villages, the sea, a talking tortoise, the goats, the music, the dry haze, the people of Cape Verde and an essential part of himself.

It’s like soot that rests on the walls of our head. We can’t see it. It belongs there already.

It’s like soot that rests on the walls of our head. We can’t see it. It belongs there already.

While transitioning from male gender to female, Matia struggles with finding a sincere intimate relationship with a heterosexual male.

A woman wanders through the impermanence of her childhood memories, trying to reconstruct the history of the house where her grandfather lived.

A shoemaker wrapped up in memories of his life and the demands of his job, experiences a crucial moment in his existence. We accompany him through an enormous day in his life which will determine his future.

With the sea and urban Algarve as the backdrop, we follow a complete life cycle of a special shellfish called percebes, the goose barnacle.

A Garrano horse is forced to pull a heavy load under the sun's blazing heat. The young boy, Joel, discovers a man who is about to set the forest on fire.

In Sarajevo, in a cinema’s projection booth, lives Sena; a woman who in daily solitude repeats the projection of the few Yugoslavian films of which there are copies. Through a combination of silence, the everyday gestures of this woman and the films that are projected from her living room, comes a film built like a day in Sena’s life. Through the films that Sena projects, we are taken on a journey in both collective and personal memory. The film offers a portrait of intimacy crossed with a history witnessed by cinema; a history which Sena has conserved.