The Concert in Central Park is a live album by Simon & Garfunkel. On September 19, 1981 the folk-rock duo reunited for a free concert on the Great Lawn of New York's Central Park attended by more than 500,000 people. They released a live album from the concert the following March (Warner Brothers LP 2BSK 3654; CD 3654). It was arranged by Paul Simon and Dave Grusin, and produced by Paul Simon, Art Garfunkel, Phil Ramone and Roy Halee. The concert was also shot on videotape, televised by HBO in 1982, and subsequently released on various home video formats. The VHS and DVD contain two songs that were omitted from the live album: "The Late Great Johnny Ace" and "Late in the Evening (Reprise)". "Johnny Ace" was disrupted by a fan rushing the stage who came very close to attacking Paul. This incident was both frightening and coincidental, as the song is an elegy upon the murder of John Lennon just one year earlier.

Billy Joel plays his greatest hits in the Big Apple. Recorded in 1990 during the Storm Front Tour.

Billy Joel Live At Wembley Arena, London 06-06-1984. This is part of An Innocent Man Tour. Set List: Prelude/Angry Young Man, My Life, Piano Man, Don't Ask Me Why, Allenton, Goodnight Saigon, Pressure, Leave A Tender Moment Alone, An Innocent Man, The Longest Time, This Night, Just The Way You Are, Scenes From An Italian Restaurant, Sometimes A Fantasy, It’s Still Rock And Roll To Me, Uptown Girl, Big Shot, Tell Her About It, You May Be Right, Only The Good Die Young. The band includes Frank Simms, Peter Huwlett on backing vocals, a three-piece brass section of Larry Etkin, Bob Livingood, Glenn Stulpin and Toots Thielemans on harmonica as well as Joel's touring/recording band of Liberty DeVitto (drums, percussion), Doug Stegmeyer (bass), Russell Javors (rhythm guitar), David LeBolt (keyboards), David Brown (lead guitar) and Mark Rivera (saxophones, percussion)

An intimate look at the Woodstock Music & Art Festival held in Bethel, NY in 1969, from preparation through cleanup, with historic access to insiders, blistering concert footage, and portraits of the concertgoers; negative and positive aspects are shown, from drug use by performers to naked fans sliding in the mud, from the collapse of the fences by the unexpected hordes to the surreal arrival of National Guard helicopters with food and medical assistance for the impromptu city of 500,000.

Believe it or not, there almost was a feature film about the 1969 Texas International Pop Festival which, just like the one-and-only Woodstock concerts held two weeks earlier, had its entirety preserved both on film and reel-to-reel tape. However, unlike the legendary documentation of the New York festivities that dominated big screens worldwide the following summer, the Lone Star State’s contribution to classic-rock cinema never made it past the very-rough-cut stage. Thankfully, though, this feature- length “workprint” of the film is now available for a fantastic peek at what might have been.