An analysis of stylistic and narrative cinematic choices, themes, patterns composing scenes, and shots in Alfred Hitchcock's films, focusing on "Notorious" (1946), that demonstrate his genius as a master craftsman.

In this 25-minute video essay, film scholar David Bordwell, co-author of "Film Art: An Introduction", conducts an analysis of Howard Hawks's "His Girl Friday" (1940), which he believes to be the apotheosis of classical Hollywood storytelling. Bordwell discusses the film's history and the status of Howard Hawks as an auteur before delving into a detailed analysis of various aspects of the film's narrative, dialogue, use of props, editing, and staging.

Analog celluloid strips are disappearing. Is film dying, or just changing? Are the world's film archives on the brink of a dark age? Renowned filmmakers, museum curators, historians, and engineers help dramatize the future of film and the cinema in the age of digital moving pictures.

David Bordwell, author of Ozu and the Poetics of Cinema, discusses some of the key themes and stylistic qualities that define Yasujiro Ozu's work and The Flavor of Green Tea Over Rice, in this interview for The Criterion Collection.

Film scholar David Bordwell discusses Ozu's 1959 color film Ohayo (Good Morning). He analyzes Ozu's use of color, composition, and his characteristic transitional shots. While some see this film as a remake of Ozu's 1932 silent I Was Born, But..., Bordwell believes the connection is not that simple, and contrasts elements of the two films, outlining Ozu's growth over his decades of work, and the variations he worked within his chosen limits.