An unsuspecting, disenchanted man finds himself working as a spy in the dangerous, high-stakes world of corporate espionage. Quickly getting way over-his-head, he teams up with a mysterious femme fatale.

As the president of a trashy TV channel, Max Renn is desperate for new programming to attract viewers. When he happens upon "Videodrome," a TV show dedicated to gratuitous torture and punishment, Max sees a potential hit and broadcasts the show on his channel. However, after his girlfriend auditions for the show and never returns, Max investigates the truth behind Videodrome and discovers that the graphic violence may not be as fake as he thought.

While visiting Switzerland, an American college professor, Adam, keeps running into a divorced British secretary, Patricia, wherever they go. First their cars collide. Then they smash into one another on a ski slope, each breaking a leg. In between numerous quarrels, the two develop lust and love. They hastily marry, but the disagreements continue. Patricia decides to leave, so Adam decides to fake a suicide. They lose and find each other, again and again.

An investigator seeking the cause of an airline disaster discovers the involvement of an organisation of time travellers from a future Earth irreparably polluted who seek to rejuvenate the human race from those about to die in the past. Based on a novel by John Varley.

The Hayworth family lives in a Quaker territory in up-state New York. The matriarch, Emily runs the local bank. Years before, she and her family took in troubled, young Jimmy Flood to protect him from his abusive father. Though one of Emily's grown daughters, Janet feels she did not belong in the quiet, devoutly religious community and left the Quakers, Emily believed that her family ties stayed strong. Real trouble comes to the family when Jimmy Flood returns to the house after busting out of prison with the help of Digby and Lester, and he takes Emily's family hostage in exchange for $4 million. If Emily fails to secure the money in time, her entire family will lose their lives. Determined to resolve the potentially deadly conflict in a peaceful manner, Emily calls an emergency meeting of the town friends to work out a solution and save her family.

Don Vito Leoni, the Godfather, is clinically depressed. The world has changed and he hasn't. He'd like to retire, but if he left the "family business" to his two idiot sons, they'd be dead in a minute. So he decides to go legit, which convinces everyone that he must be completely off the deep end. To preserve their cushy lives, his dysfuntional family conspires to get him some psycho-therepy. So his boys kidnap a "piasan" shrink and order him to "fix" their father. This film, which premired on Showtime, pre-dated the very similarly plotted "Analyze This" by over a year.

When Hollywood superstar George Reeves dies in his home, private detective Louis Simo is hired to investigate his death and gets caught in a web of lies involving a big studio executive's wife. Based on a true story.

While accident-prone sports photographer Cory tries to win over buddy's ex-wife, his free-spirited co-worker Annie tries to win Cory over.

Hungarian physicist Leo Szilard leaves Europe, eventually arriving in the United States. With the help of Einstein, he persuades the government to build an atomic bomb. The project is given to no-nonsense Gen. Leslie Groves who selects physicist J. Robert Oppenheimer to head the Los Alamos Laboratory in New Mexico, where the bomb is built. As World War II draws to a close, Szilard has second thoughts about atomic weapons, and policy makers debate how and when to use the bomb.

Letting Go stars John Ritter as a widower and Sharon Gless as a lonely unmarried woman. They meet during a group-therapy session. Romance is inevitable, but the road to true happiness is pockmarked by a series of comic complications. Advertised as a straight romantic drama, Letting Go is actually more akin to the screwball comedies of the 1930s, with a strong satirical bent regarding "behavior modification" theories. The made-for-TV film debuted May 11, 1985.