Two amateur thieves are hired to steal an extremely valuable Van Gogh painting from the abandoned farm of an Argentinian countess.

In an ominous Lisbon courtyard where the last executioner of the kingdom once lived, an accident is waiting to happen. After a patient game of who's observing who, four characters will collide with dire consequences. Inspired by the novel The Damned Yard by Nobel Prize-winning Bosnian writer Ivo Andrić, this is a masterclass in slow cinema, a pure 16mm cinematic pleasure by André Gil Mata.

Pessoa famously published under many heteronyms: around 75 different names, each with fully fleshed-out backgrounds, styles, appearances and philosophies. Taking this a step further, Não Sou Nada gives flesh to these characters, all working together under Pessoa, enacted by Miguel Borges, at the publishing house The Nothingness Club.

Telenovela star Mariana is on the verge of a nervous breakdown: shooting is not going smoothly, her popularity is waning, and she is forever being hounded by paparazzi. Frustrated, Mariana can't find out who is responsible for these invasions of her privacy. It is the feared 'Paparazzo' Gabriela Santos, who's real name is Juan. One day, Juan and Mariana meet by chance and fall in love. Now Juan must do everything he can to prevent Mariana from discovering his true identity.

A serious young man of free spirit is forced by his surroundings to become rich at all costs. A group of blind children tries to open the eyes of the unbelievers to the Christian faith. Retired nuns who open a brothel, to pay the running costs of the convent. These rather ironic paradoxes turn this fairytale into a philosophical fable.

David has a wife and young daughter. In a few days he will be moving abroad with his family. The death of his grandfather obliges him to return to the village of his birth and a family he hasn’t seen in years. There he meets his cousin's wife Ana, who intrigues him, and this trip, which should have ended with the funeral, turns into a long stay.

Inspired by popular cult, O COVEIRO is part light part darkness, a bedtime story and almost a nightmare. A child is born and his parents die of fright just to see him. André Gil Mata revisits the traditional Portuguese tale, in a fantastic movie where heads bounce, but you hear a song.

Manoel de Oliveira directs José Régio's historical epic of religious and political power struggles. King Sebastião plans to make Portugal the world's Fifth Empire.

Two musicians who play for tips at a Portuguese train station find a magical book left by a passenger in a rush to board a train. The musicians walk across the Alentejo region of Portugal in search of the passenger. This leads to a walking journey of beautiful fields, local towns, and the Alentejo countryside. The is a wonderful film of two friends who explore a magical country. It is charming and has elements of a dreamlike fantasy.

The film is set in a small rural town that is haunted by the undead. Only one man seems to be able to stop them, and that is Lúcio, a worker whose wife recently turned into a zombie, forcing him to keep her locked in the basement. In a local tavern he finds a second shot at true love, but this blooming romance is threatened by the situation plaguing the town.