The Amazing Howard Hughes is a 1977 television movie about American aviation pioneer and filmmaker Howard Hughes, based on the book by Hughes' business partner Noah Dietrich. The film starred Tommy Lee Jones, Ed Flanders, and Tovah Feldshuh.

A genius grad student organizes an all-night treasure hunt in which five rival teams composed of colorful oddballs furiously match wits with one another while trying to locate and decipher various cryptic clues planted ingeniously around Los Angeles.

June and her friends take over a service station formerly run by her uncle. They perform every trick in the book to attract the customers.

Broad satire and buffoonery presented as a series of movie trailers. Among the titles and subjects are: "The Howard Huge Story", "Skate-boarders from Hell", "The Invasion of the Penis Snatchers", Woody Allen (pre-Mia), movie trailer come-ons, Charlie Chaplin, war movies, Billy Jack. The source of the title is presented about an hour into the film.

Some unknown source has interrupted all television transmissions around the world. In place of the regular broadcasts, a lineup of extremely tasteless programs and commercials have been substituted. Included in the mix are such show as The Shitheads, The Charles Whitman Invitational, and commercials for a number of improbable products.

The life and times of silverscreen goddess Rita Hayworth.

The story of a fire in the Triangle Shirt Mfg. Co. building in New York City in 1911 that resulted in the deaths of 146 employees, mostly young women. The ensuing investigation revealed the company's almost total disregard for its workers' safety in pursuit of increased production and profits, and resulted, among other things, in the passage of new worker safety laws and the formation of the International Ladies Garment Workers Union.

On a flight to London, a note is found stating that there will be murders taking place on the airliner before it lands.

The story of the 1950s platinum-blonde sex symbol whose search for stardom and meteoric (if brief) career ended in an automobile accident when she was 36.

In this sequel to his 1978 "When Every Day Was the Fourth of July" (and a pilot to a prospective series), producer/director Dan Curtis recalls more of his youth during the late '30, and follows a fictionalized family where the father has jeopardized a promising law career to defend a Jewish immigrant against the prejudices of a staid New England town.