Honza and Zuzana are very young husband and wife. They have a little daughter of whom willingly occasionally take care the grandparents and Honza's fifteen-year-old brother Martin. Zuzana continues studying and Honza devotes all weekends as an amateur competitor to the motor-cycles at the speedway. Zuzana is not interested in motor-cycles. Martin holds responsible for his brother's marriage and at the advice of his friend Magda, who is of the same age, invites her sister-in-law to the club of Hucul horses so that she does not feel bored. But by misfortunes and unexplained quarrels both young husband and wife start being jealous of one another.

The future communist journalist Julius Fučík had a stimulating childhood and youth in a working-class environment, when his moral maturity was already showing. The authors of the film recall that the young Julek was a star of the suburban operetta scene, and in three episodes they depict him both in his early childhood and already at the gymnasium, when the outbreak of the World War shaped his determination.

Vlasta Burian, as a stowaway, disrupts the disciplined operation of a railway station. Mr. Ťopka gives the impression of a gentleman, somewhat Chaplin-like. He makes a living by doing odd jobs, for which he exclusively rides the train as a stowaway. During one of his trips, he meets the feared railway inspector general Kokrhel. At a small station, he manages to get out and change into the stationmaster's uniform. However, he cannot avoid meeting Inspector Kokrhel...

1. A taxi driver barely finishes his coffee before a young woman asks for a ride to impress her boyfriend, only to reveal her beau’s ramshackle “plan” beside his sleek car. He then smooths over a quarreling couple, helps a frustrated engineer solve his machine’s fault in a dream, and delivers a masked father’s gifts for his estranged daughter. 2. Mr. Kalina, an airport employee, fulfills a flight attendant’s plea by taking in an orphaned African girl for the night. He ensures her safe transfer to a children’s home the next day. 3. Zaza, a coquettish milliner’s assistant, juggles the attentions of a shy tailor and her stern salon manager. After a humiliating fall on the runway, the tailor comforts her and stages a private reprise, revealing where her heart truly belongs.

A group of outcasts, including a vagabond and a prostitute, gather at the outskirts of the industrial area of a large Czech city, one of the things that helps some of them survive is alcohol.

A film in five episodes, all based on an attempt to show the life of young people today, their feelings and relationships, their behaviour in public and private life.

Marta (Jana Brejchová) and Viktor (Vlastimil Brodský) celebrate the tenth anniversary of their wedding half-heartedly. They both think they don't suit together. While visiting Marta's friend Alena (Iva Janzurová), who just got married for the third time, they learn an interesting thing. It was a computer which selected a husband for Alena and she claims she is happy. The couple gets off after certain hesitation to a cybernetic institute, where the computer tells them that living together is a risk for them. At the same time the computer selects them ideal partners - Mrs Tuchlová, a doctor for Viktor, and Petr Karát, a music composer for Marta. By a coincidence Viktor and Marta meet wrong people.

Láda Pitras (Ludek Sobota) and Oto Vacák (Petr Nározný) founded in the company Pragokov a Research department of recruitment of labor. For recruitment of workers in professions sought after both recruiters worked out an effective, often almost illegal methods. They followed secretly for instance the welder Niederle and managed to record his lovesick courting to his colleague Anicka. The fear of his jealous wife made him to join Pragokov.

Black comedy about a genius inventor and two young, smart and beautiful women. Both of them putting all their effort into getting the one man. This will inevitable lead to all sorts of mischief, crime and even a murder. This murder-comedy, shot at the dawn of normalization has intentionally broke off from any connection to the reality of its time. The director Zdeněk Podskalský has focused on creating intriguing story lines, revolving around the two endeavouring female characters who are fighting for the same man. Two competing parties are not only ready to kill the other, but also (if necessary) the potential groom. This film has enabled the members of the cast, composed mainly of the brightest stars of the Czech acting scene of that time, to show an incredible acting range, from the lightest comedy to the darkest cynical morbidity.