A female psychologist wants to understand the minds of a confessed serial killer who spent the last five years in a mental hospital because of his state.

Bunny King is a mother of two, a rough cut diamond with a sketchy past. While battling the system to reunite with her children, a confrontation leads her to take her niece Tonyah under her wing. With the world against her and Tonyah, Bunny’s battle has just begun.

Anthropologist Max Scarry mysteriously disappears while doing excavation/research of a lost New Zealand tribe on a remote island. His wife and his twin brother Edward are clueless as to what could have happened, a situation complicated by their city's police suspecting that one of the brothers murdered a local prostitute who was found with a strange tribal charm on her body matching one found in Max's abandoned hut. What most certainly isn't helping matters is the strange behavior of Max's daughter as she seems to have visions beyond possibility, warnings of a supernatural threat and her uncle's fate - and she's the film's narrator, to boot. Edward decides to go to the island to find out exactly what happened, but the deeper he goes into the mystery the more perilous and unknowable his world becomes, leading towards a shocking fate that raises more questions than it answers. (cont. http://view-from-the-paperhouse.blogspot.de/2014/10/the-threat-of-ancient-echoes-lost-tribe.html)

Ellen's life is turned upside down after her wealthy hubby vanishes at sea. Everyone close to her is a liar - especially Ellen's missing spouse. Was this a case of an affair gone bad? A corporate cover-up? Or something far more sinister? The truth can only be found when all of the deceit is finally revealed.

Precocious teenager Juliet moves to New Zealand with her family and soon befriends the quiet, brooding Pauline through their shared love of fantasy and literature. This friendship gradually develops into an intense and obsessive bond.

"This singular, bleakly funny, R-rated vision of Kiwi life clinches King's position as the most distinctive new voice in NZ film, as insistent and inescapable as The Warehouse jingle." - New Zealand International Film Festival director Bill Godsen. Made at the beginning of the digital revolution, this micro-budget feature went on to win several awards and be selected for major Fests incl. Toronto, Locarno, Edinburgh, and Melbourne.