A former policeman enlists his nerdy friend to help bust drug traffickers moving heroin through a Chinese restaurant.

Lucía's heart misses a beat when she sees a man of her age, Juan in a department store. Without hesitating, she decides to follow him to his house, the same house where, twenty-five years before, while the Franco regime was on its last leg, Juan first met Lucía and fell in love with her...

The film centers on a Spanish tapas bar and the love lives of the loosely interconnected people in the neighborhood surrounding the bar. The pairs of lovers include a middle aged woman and a young man; an elderly, drug dealing woman and her terminally ill husband in poor health; the tapas bar owner and his estranged wife; and two Chinese immigrants.

After murdering the teacher she was in love, Silvia will start getting a taste of the thing and does so from a seller of nazis articles. Her classmates, tired to cover it up, decided that they want to get rid of teachers and neighbors too. So they organized murders and burials committees ... While, an incompetent police will try to solve the case of the mysterious disappearances.

A group of young twentysomethings face a fall in their lives undergo a major transformation when the time came to take on adult responsibilities. David is 27 and has long been working as a messenger, enough to know it's time to quit.

Two disquieting characters dressed in rubber suits and wearing old rubber masks shoot peculiar movies in which they actually kill real people to attain a supposed satisfaction from the viewer.

Roberto Soto is a renowned Spanish science fiction screenwriter. He has won a Goya award and his screenplays are internationally acknowledged. However, his producer is tired of science fiction and believes that, in Spain, he has to write films of different genres, something more intellectual and existential: social dramas, enriching values, philosophy, etc. With these arguments, the producer demands him a screenplay that has nothing to do with science fiction. As a result, Roberto has to decide whether to write what he's good at and was born for, or to do what he has been told. Roberto is forced into resigning and doing what he is paid to do: he locks himself in the living room with his typewriter in order to write a screenplay according to what is expected, with the urgency of the producer's visit, who wants to check up on his work. That same day, Luis, Roberto's best friend also turns up at his house, with an idea for a film about mutant octopuses, convinced Roberto can make ...

Two friends from Avila decide to take a jaunt through the streets of Madrid after escaping from their high school group that was going on a tour into the capital's museums.