A young man is stood up at the altar. His overprotective mother decides to join him is what would have been his honeymoon, so as not to waste the trip. He ails while his mum enjoys the trip of her life.

It is the end of an era. Marco, Bissoon and their friends have spent their lives working for a sugar factory that is due to close. Sugarcane is no longer profitable so it will soon be replaced by luxurious villas, golf courses and playgrounds for rich tourists, making this area forbidden for the working class. As their world seems to fall apart around them, some struggle to find their places in their strange new surroundings, while others decide to leave the country. For Bissoon, the closing of the factory brings frustration, emptiness and neo-colonial malaise. Meanwhile Marco gets intrigued by Devi, the wife of the authoritarian man overseeing the demolition of the factory. Continuing his work of putting Mauritius on the cinematic map, David Constantin tells a story of a move from tradition to modernity. In doing so, he offers a view behind the postcard façade of paradise, portraying the world less picture perfect than you might think.

In the wake of her arranged marriage, a young woman in Mauritius begins a job at a call centre. Her first steps toward independence have repercussions no one could have expected.

In Mauritius, Hannes Jaenicke as a politically active environmental visionary and Daniel Roesner as the leader of his research team play the leading roles in an international cast. During their mission off Mauritius, they have to find the man-made cause of marine mammals losing their sense of direction. Sven Fehrensen directed the highly exciting ocean drama, which offers magnificent images of the underwater landscape and the dream island.

When his fiancée dumps him at the altar for her ex, a young man is left with no alternative but to go on his romantic honeymoon with his mother.