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From Wikipedia, the free encyclopedia Danielle Arbid, born 26 April 1970 in Beirut, is a Lebanese film director. She left her country at the age of 17 to study literature in Paris. In 1997 she started making films. Interested in different narrative forms, her work alternates between fiction, first person documentaries and video essays; and sometimes she experiments with mixing different genres. Selected by a number of festivals in France and around the world, her films like Alone with war or On borders and the serie Living room conversations have received both critical and public acclaim as well as several awards including the golden leopard and silver leopard at the Locarno film festival as well as the Albert Londres prize and a grant from the Villa Medicis. Her two feature films In the Battlefields and A lost man have successively been selected for the Quinzaine des réalisateurs at the Cannes film festival and many others. Her work has been the focus of several retrospective screenings, notably the Bastia festival in 2006, Paris Cinéma in 2007, and the 2007 Gijon festival, and at the La Rochelle festival in 2008. Description above from the Wikipedia article Danielle Arbid, licensed under CC-BY-SA, full list of contributors on Wikipedia.

While thousands of tourists invade the beaches, camping grounds and clubs, five teenagers from Porto Vecchio hang out. One evening one of them leads the others to an unoccupied luxury villa. They spend the night there. Before they leave, they steal some objects of no value and two prize rifles. When the house owner arrives from Paris, she complains about the theft to a small local boss she knows…

The intersecting lives of teens on a surfing trip, a woman with a weak heart and two teams of doctors and medical experts.

Franck Landron follows photographer Antoine d'Agata wherever he goes, to the edges of the world, in a discreet presence, camera in hand. He has been doing hours and hours of rushes, patiently, without hurrying or rushing, he wants this film as fair, as honest, and as long as it takes: it lasted six years.

Lina, a young girl in war-torn Beirut, finds an ally and friend in Sihan, her domineering aunt's maid. Sihan shows Lina what her life could be like, but tests the girl's limits when she asks her to help plot her escape from the city.
During the first lockdown of the Covid-19 pandemic, filmmaker Danielle Arbid becomes obsessed with a mysterious girl she sees from the window of her apartment in Paris. Shot from her cellphone, better watched vertically, Outiside is the gripping short film that tells the story of what happened next.

One evening, a married young singer Zoha meets the French lawyer Mathieu in a night club in Beirut. Mathieu will become suspected of spying, while Zoha is trying to flee from her husband. Despite these problems, the two will witness a love story for few days mixed with violence and fear.

One evening, a married young singer Zoha meets the French lawyer Mathieu in a night club in Beirut. Mathieu will become suspected of spying, while Zoha is trying to flee from her husband. Despite these problems, the two will witness a love story for few days mixed with violence and fear.

Lina, a young girl in war-torn Beirut, finds an ally and friend in Sihan, her domineering aunt's maid. Sihan shows Lina what her life could be like, but tests the girl's limits when she asks her to help plot her escape from the city.

Lina, a young girl in war-torn Beirut, finds an ally and friend in Sihan, her domineering aunt's maid. Sihan shows Lina what her life could be like, but tests the girl's limits when she asks her to help plot her escape from the city.

Inspired by the photographic travels of Antione d'Agata, Danielle Arbid's worldly drama follows a French photographer who travels the globe to seek out the most extreme experiences imaginable. Thomas is a fearless shutterbug who's always willing to put his life on the line for the sake of a good shot. Upon falling under the spell of an enigmatic old man named Fouad Saleh, the photographer travels to the Far East in hopes of uncovering the secrets of the man who can no longer recall his own past. As the photographer soon finds out, it's often the most innocent endeavors that yield the most profound and transformative results.

A photo intended for a lover and never sent

Suzanne and Osmane meet in crisis-ridden Beirut. Osmane is a young Sudanese man without papers, searching for a better future; Suzanne is a widow with Palestinian roots more than twice his age. Against all odds, they fall in love.

Suzanne and Osmane meet in crisis-ridden Beirut. Osmane is a young Sudanese man without papers, searching for a better future; Suzanne is a widow with Palestinian roots more than twice his age. Against all odds, they fall in love.

