Grigorij Efimovic Rasputin (1869-1916) the mystic and self-proclaimed holy man. The saint-demon and the simple peasant. About the plot against Rasputin, hated and feared at the highest levels of government because of his surreal influence on the Tsar.

Hans Schabe is a man who lives a hallucinatory existence in which real life mixes with his fantasies and obsessions. The paranoia that has taken his soul hostage is the engine of the film. From childhood to death. The particularly delicate theme, the possibility of living and knowing everything from the inside of Hans touch and test the sensitivity of the viewer. No third person who narrates, no external eye that interprets. Only Hans and his visions in a state of hallucination.

Fashion icon Coco Chanel, steeped in wealth and fame, still issues game-changing designs and collections. The audience is taken backwards in time to the woman's upbringing in an orphanage, and traces her path to ubiquity as it winds through poverty, wars, doomed romances, and rather glamorous betrayals.

As in an endless sequence shot, the stories of some friends intertwine: Paolo is a writer who can't finish his novel due to perfectionism, Maria, his girlfriend, feels neglected and enters the circle of "protégés" of a schoolmate of Paolo, Francesco. Michela, a friend of Maria, falls in love with Marco while Paolo's father meets with Petra, a high-class prostitute.

Collective film for the 60th anniversary of the Universal Declaration of Human Rights, with 30 directors each helming a segment about one of the 30 articles of the Declaration.