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“The Hidden Angels of Luchino Visconti” This is the title. It tells of the man, the great man and director that he was, through the eyes of his closest collaborators, through never-before-seen images of Mario Tursi’s personal photographic archives. He was the photographer who followed Visconti his entire life. In this documentary Visconti’s camera operators who have given back to us the vision of his genius and contributed to his greatness: in silence, without fanaticism or exaltation, and for this reason they are his “Hidden Angels”.
A poetic adventure of two children who arrive from a small village in outing to Rome and, in front of an unexpected, decide to escape from their mother
Despite her friends' warnings, a woman travels to the Sahara, determined to find her missing archaeologist father and the magical tower he was searching for. Aided by a mysterious prince, she battles outlaws and the desert's harsh conditions.
While in high school class, a French teenager of Moroccan origin loses his parents in a car accident. A few days later, social services learn that he was adopted and that his natural parents are his aunt and uncle who live in a small village in the Sahara... He decided to join them.
A vampire seeks out an artist to paint her a portrait so that she can see her image for the first time.
A fanciful biopic of legendary conductor Arturo Toscanini as a very young man.
TV-Movie on the life and accomplishments of Giovanni Falcone, the legendary Sicilian judge who boldly opposed the Mafia
A war hero turned unemployed is hired by a British man whose life he saved during the war, for a secret mission: to kill a neo-nazi.
A man is delighted to hear that his wife is pregnant and he begins to prepare for the wonders of fatherhood. As time progresses along, the family grows larger with each successive child and the father feels his importance in the family has been lessened with all the children. This man's quiet desperation to hold onto his position is an interesting lesson in the family dynamic and how everyone is an important part of the whole.
In a fascist Rome anxiously awaiting Hitler's visit, Raul is a young man not aligned with the regime and beset by debts. In May 1938, Raul kills an old usurer and her sister: not out of necessity, but to investigate the concept of the "right to kill" ... who can motivate it and assume the right?