When a train unexpectedly changes directions, a group of eccentric passengers must work together to reach their destination safely.

Johanka and Matyáš have an unusual home. The two live among the animals and plants of an enchanted botanical garden in the middle of the city, but this idyll is under threat. To the children’s horror, the mayor wants to build a theme park on the same spot. The Blue Tiger, an animal with magic powers, comes to their aid. Only he can protect the garden, but Johanka and Matyáš must now stop the mayor from capturing their newfound friend. MODRY TYGR is a colourful, atmospheric and imaginatively told animated fairytale that inspires the viewer to reflect on natural resources and habitats.

Frank, a native New Yorker, inherits his ancestral estate, Castle Kostka, and returns to the Czech Republic with his daughter Maria and wife Vivien after over forty years abroad. They find the castle in gradual decay, inhabited only by the long-slumbering steward Josef, housekeeper Mrs. Tichá, and hypochondriac handyman Krása. As the staff slowly awakens from the post-revolutionary 1990s inertia, Frank’s family faces a difficult decision: sell the dilapidated property and return to America or undertake the challenge of restoring Castle Kostka.

Kinetopsia, a disorder in which one believes that static objects are in motion, serves as a metaphor for the social situation we find ourselves in: the Velvet Revolution took place thirty-five years ago, and while the opaque present continues to bring new problems, public discussion often still revolves around the hunt for the "spectre of communism". From the perspective of a young couple, we discover the fascinating project of Sylvia's abandoned Discoland and become aware of the critical moments of the political transformation that has determined the economic and cultural conditions in which we live today.

Vienna, Austria, 1912. The brilliant painter Oskar Kokoschka, considered one of the main representatives of the expressionist movement, has a tumultuous relationship, both professional and romantic, with the composer Alma Mahler.

The eponymous debt collection call center’s marketing slogan is taken to its extreme, depersonalized operators are roused from their lethargy by unbridled laughter. Not mockery, but pure, contagious laughter at the tragicomedy of trapped debtors, its echo tearing apart the operator’s apathy and the walls of the claustrophobic open-plan office.

Conceived as a kaleidoscopic mosaic, the film follows the imprint Franz Kafka left on the world from his birth in 19th-century Prague to his death in post-WW1 Vienna.